In early summer of 2020, in the deepest depths of the pandemic, a reminder of the life we were missing came in the form of...
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With a string of powerful releases, including the recent ‘Panther In Mode’, Alewya creates a musical universe that merges the spiritual and the physical. DJ...
Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
With three decades as one of house’s biggest names under his belt, Roger Sanchez has seemingly lost none of his enthusiasm for the music that...
In an exclusive adaptation from his new book on the ever-so-slightly eccentric Godfather Of Funk, KRIS NEEDS looks at George Clinton's influence on the electronic...
George Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as among the most visionary and influential black music pioneers to emerge from the...
Delving into the treasure trove of Red Rack'em
Berlin-based Red Rack'em, AKA Danny Berman, might have started his career in the UK as part of the pirate soul movement, creating new tracks...
Counting down the 2010s, we round-up the albums that defined the decade in electronic music
Italo disco is everywhere again. But what does Italo even mean today, and is it at risk of being diluted into a catch-all term for anything with an '80s disco sparkle? Joe Roberts dives into the genre's history, and chats to some of its new devotees and longstanding champions about its ever-evolving sound
Although it features guests like A$AP Rocky, Run The Jewels and Raekwon, the best moments on Danger Mouse and The Roots legend Black Thought's new LP are in its filmic rhymes, woozy psychedelic loops, soul snippets and jazz and blues rhythms. Here, Ben Murphy speaks to them about their long-awaited collaboration
We take a look into what people are calling the 'primitive sound'
There's a fresh sound that's bubbling up from the underground to challenge dull dance and ridiculous stadium rave. Influenced equally by the early stirrings of...
Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene
Electronic maverick Squarepusher’s new album finds him breaking his own rules, and drawing from the past for inspiration — but being him, it’s no simple nostalgia exercise. DJ...
Keith McIvor and Jonnie Wilkes, aka Optimo (Espacio), have helped define Glasgow’s musical landscape for over two decades with their eclectic and dynamic dancefloor selections. As 2022 marks Optimo’s milestone 25th anniversary, a tour of their home city reveals the ethos behind their inimitable sound
After more than three decades of DJing all over the world, Carl Cox remains one of dance music’s most beloved figures. With a new album on the way, and a fresh emphasis on live performance, Bruce Tantum speaks with the king about his incredible journey so far, and his determination to keep challenging himself
Running the musical gamut from minimal techno to abstract hip-hop, dubstep to Baile funk, via ska, electro pop, house and Balearica, Sonar truly has something...
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Can Matt Edwards, aka Radio Slave, really do no wrong? Not content with simply knocking out the funkiest techno and most mind-twisting house with...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today