Ever since the birth of acid house in the late ‘80s, UK dance music has been defined, legislated against and demonised on the basis of...
Search
Results for: Monsters
Features
The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...
The contribution of women throughout the history of electronic music has been huge, but too often undocumented...
By now the history of electronic music and its journey into clubs, concert venues, stadiums and homes worldwide is a well-established narrative. It’s a story...
No one represents drum & bass quite like DJs Fabio & Grooverider...
Sure, there are other obvious contenders, but Fab and Groove were there right at the beginning. They didn't just sit at the table — they...
TWO DAYS OF EPIC PARTYING
I had to pinch myself twice just to be certain it wasn’t a dream. See, if you love dance music the way I love dance...
Cover Features
Conducta is helping to spearhead the new wave of UK garage. His on-point productions, genre-traversing DJ sets and Kiwi Rekords label have made him a...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
Apollonia are the gods of groovy, stripped-back underground house music. The French trio — consisting of Dan Ghenacia, Shonky and Dyed Soundorom — have been...
It’s late May 2017 in Ibiza, and the end of a long week of opening parties on the island. Shortly after Apollonia close the terrace...
We meet futurist techno maestro Richie Hawtin for our ADE issue...
Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...
Features
Born in the UK in the early ‘90s, during a period of explosive creativity, the freeform breakbeats of jungle became the soundtrack to many producers’...
An avalanche of snare drums, sub-bass that pulverises your rib-cage, possessed divas wailing from the abyss; fragments of funk, shards of techno, dabs of dancehall...
Features
Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene
Features
Inspired by the sci-fi movies of their youth, the new concert film IRIS: A Space Opera is the latest ambitious venture by Justice. DJ Mag...
Cover Features
Dedicated to breaking down cultural binaries and taking on the music industry juggernaut, SOPHIE has obliterated the lines between underground dance music and commerical pop...
Cover Features
After more than three decades of DJing all over the world, Carl Cox remains one of dance music’s most beloved figures. With a new album on the way, and a fresh emphasis on live performance, Bruce Tantum speaks with the king about his incredible journey so far, and his determination to keep challenging himself
Cover Features
Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars