The quest is timeless. Swapping clues with randoms at services. The heartless pulse of the party-line’s engaged tone. The convoys, intrigue, suspense, rumours. The commitment...
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Dance music's renaissance man graces the cover of DJ Mag USA...
From new ventures in live performance to reunions with Digweed, fresh collaborations to the birth of a baby, the godfather of progressive is busy building...
Who are the most exciting Ram acts now? We delve deeper into the world of Ram...
WILKINSON
29,200 Twitter followers, 126,569 Facebook fans and charting at No.8 in the UK Official Top 40, Wilkinson is big news, but it hasn't always...
Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
With his house-focused project Jack Back, David Guetta has returned to the sound that first got him fired up about dance music. In his DJ Mag...
The centre of the clubbing universe, for such a little minx Ibiza certainly packs a lot of entertainment into its 571 square kilometers. Clubs, cave...
1. You can't leave Ibiza without losing your marbles at least once in Space and there's no better time or place than with We Love...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
Sexual harassment is a widespread problem that remains prevalent in our supposedly progressive dance music scene. A number of new initiatives have proposed a solution...
In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...
Roland’s 909 drum machine is responsible for the rhythm of house and techno, and countless classics of dance and pop. Exactly 35 years after its...
If there’s one instrument that faithfully captures the true spirit and essence of electronic music, it’s the Roland TR-909 Rhythm Composer: a machine that has...
From Ibiza to Berlin to Oslo, Germany’s Anja Schneider is embracing her newfound freedom with a brand new label and her first solo album in...
“Try this, it’s delicious.” Anja Schneider scoops a forkful of melon and cheese onto a plate, pushing it across the table with a nod. The...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies
As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...
With Marc Romboy, Jules Buckley, Max Richter, Carl Craig and more...
At first glance, we’re led to believe that the worlds of classical and electronic music are galaxies apart. But there are more parallels and crossovers...
Soaring ascents, the kind that can take an artist from obscurity to stardom in what seems to be the blink of an eye, don’t occur often, in dance music or elsewhere – those who are lucky enough to have that experience often disappear just as quickly. But there’s little chance of a quick fade for South Africa’s Palesa Desiree Shilabje, the DJ and producer known to the world as DESIREE, who in just a few short years has proved to be one of the international festival circuit’s most exciting new stars. Here, Bruce Tantum hears her story, and about how her evolution through music has been as organic as they come