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Results for: Nines

What could the ideal safe space club look and feel like? Michelle Lhooq imagines a possible future for nightclubs where everyone is free to dance...

Ever since the concept of safe spaces became popularised in the clubbing lexicon a few years ago, it’s been at the centre of an exhausting...

Artistic crews in Miami are working to create fun, diverse parties, away from the city's gaudy beach clubs. Jaime Sloane meets four groups of rave...

Miami’s nightlife is known for megaclubs with luxe environments. When Miami Beach’s LIV celebrated its 10th anniversary in 2017, a $10 million renovation of the...

How an adult version of Tetris kickstarted multiple musical revolutions 

How much credit can you give a tool for creating art? Surely it's like praising the paintbrush for a great painting, or the typewriter for...

Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...

In 2011, the dust from the dubstep explosion was still up in the air. The initial UK wave had split between a formulaic festival sound...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...

“Om Unit was never supposed to be a jungle or a drum & bass project, as such,” Jim Coles, the man behind the moniker, tells...

Cheeky bubblers incoming...

Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...

From career triumphs to personal tragedies, his time has truly come

Mr G has led a tempestuous life with as many career triumphs as personal tragedies. From his roots in early UK housers KCC to techno years with The Advent, he's been an intrinsic link in dance music's evolution. And after all the tribulations, with a career retrospective for Rekids and more popularity than ever, it could be his time has truly come...

Berlin maverick on his DJ Mag covermount

DJ Mag linked up with the elusive music maker to find out how he works, what he thinks of the Top 100, and whether there'll be a follow-up to Berlin Calling...

As electronic music and live performance continue to intertwine, our new series explores how some of the best artists take their studios on the road...

Henrik Schwarz's inimitable sound combines acoustic and electronic elements like no one else. His DJ sets and live performances combine emotive soundscapes and slamming beats...

Rather than installing him with more confidence, cleaning up end-of-year charts with disco bombshell 'Final Credits' and winning Essential Mix Of The Year in 2016...

 

 

 

'I FELT UNINSPIRED INSTEAD OF THOSE TWO BITS OF SUCESS MAKING ME FEEL CONFIDENT AND VALIDATING ME. I FELT LIKE A TOTAL...

DJ Mag meets the man formerly known as Elite Force to talk about his most personal electronic album to date...

There is one story told by Simon Shackleton which perfectly crystallises his status as the polar opposite of the stereotyped ‘Hollywood DJ’, all champagne-spraying, crowd-surfing...

Boom Jinx shares his heart and soul in a bare-it-all interview

Boom Jinx has created a crown jewel. It’s been nine years in the making and along the way, the enigmatic artist has managed to ga...

Signed to the same label as Classixx and Nosaj Thing, LA duo De Lux's sunny perspective on disco-punk has earned them comparisons from Talking Heads...

Beaches, sunshine, convertibles, palm trees... and punk-funk, disco-influenced bands? While the may not be the first thing that comes to mind when thinking about Los...

The past 12 months have seen Miguel Campbell’s stock shoot through the roof.

A well-received Radio 1 Essential Mix, 2011’s best-selling track on Beatport and a globe-spanning schedule of non-stop bookings, not to mention a coveted DJ Mag Best Of British award — it’s easy to see why Miguel Campbell is beaming.