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MS in a pool float

Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'

“I always describe myself as ‘Snow White turns 21 and then the seven dwarfs become her strippers’,” Moonchild Sanelly says matter-of-factly, when speaking to DJ...

When Dax J made worldwide headlines last year for dropping an Islamic call to prayer sample during his set in Tunisia, it looked for a minute...

'Public indecency and offending public morality'. Before April last year, those words probably meant about as much to Dax J as his name did to...

In an exclusive adaptation from his new book on the ever-so-slightly eccentric Godfather Of Funk, KRIS NEEDS looks at George Clinton's influence on the electronic...

George Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as among the most visionary and influential black music pioneers to emerge from the...

Photo of T.williams posing in a white t-shirt and blue baseball cap

Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker

“That cross-section between a banger instrumental and a nicely crafted song was always something that I really enjoyed,” says T.Williams, reflecting on the kind of...

on a ragga tip xl recordings

Lifting the vocals from Jah Screechy’s reggae standard 'Walk & Skank’, SL2’s‘On A Ragga Tip’ surfed the hardcore rave wave at the turn of the 1990s before crossing over to bring breakbeats and bass into the pop charts. The track has transcended genres and styles to stand alone as an enduring dance classic. Joe Roberts calls up Slipmatt, aka Matt Nelson — the ’S’ in SL2 — to learn its story

‘Ey ey ba day ba wadladie day’ The opening lyrics to SL2’s ‘On A Ragga Tip’ immediately come up when you type its title into...

Josey Rebelle is a reluctant cover star. The North London DJ's career has been a real slow burn, building a loyal UK fanbase through her Rinse...

In November 1994, London pirate station Kool FM celebrated its third birthday at the Astoria. The party caused havoc on Tottenham Court Road when thousands...

DJ Mag join frontwoman Cata Pirata and the band in Amsterdam to find out what exactly spurs their voyages across the atlas...

From their Amsterdam base, Skip & Die roam the world looking for fresh sounds to inject into their raucous global bass 'n' beats. And with their debut album 'Riots In The Jungle', they're not afraid of stirring a little insurrection. DJ Mag join frontwoman Cata Pirata and the band in their home city to find out what exactly spurs their voyages across the atlas...

Nantes-based DJ, producer and Livity Sound affiliate Simo Cell jumps from bass-heavy club beats and breaks into rap, trap and back again in his hyperactive...

Whether he’s making garage, bassline, tech-house or grime, DJ and producer Preditah’s sound is unmistakable. With his new tunes ‘Glucose’ and ‘Don’t Cry’ making waves...

Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...

Fifteen might be the anniversary that it is currently celebrating, but the most important number in Hyperdub land is zero. Stylised as Ø but pronounced...

Counting down the 2010s, we round-up the albums that defined the decade in electronic music

How do you rank a decade’s worth of music? The truth is, you can’t. An album that meant the world to you might make someone...

DJ Mag heads to Ghana to explore a rapidly expanding, festival- driven scene that, while rooted on pop and traditional sounds, is beginning to open...

March is an important month in Ghana’s calendar; it’s when the West African country celebrates gaining independence from British colonial rule in 1957. The month...

 A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

DJ Mag USA speaks with Matrixxman about his debut album ‘Homesick’...

On a brisk spring San Franciscan afternoon, clouds move lazily across the sky with sunshine piercing through as notable techno talent Matrixxman, real name Charles...

MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...

“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” 
Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.