Black and non-Black POC artists have always been at the forefront of electronic music; pioneering DJs and producers who created whole genres, and others who...
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Features
DJ Mag’s tech editor, Mick Wilson, investigates Black and non-Black POC representation in the music tech sector, and what industry leaders are doing to address...
Features
From frenetic breaks and jungle to percussive club cuts and pop edits, Bored Lord’s Fresh Kicks mix is an electrified trip into her communal sonic...
Features
Brooklyn’s Ayesha blazes through a selection syncopated club sounds, thunderous techno and twisted breaks in her high-velocity Fresh Kicks mix, and chats to Eoin Murray...
Features
In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...
Features
One of Detroit's most ambitious selectors, DJ Holographic has had the biggest year of her musical career in 2018. As it draws to a close...
“I’m living my favorite love affair with music right now and want to shout it out to the universe!”
DJ Holographic describes herself as “a...
Music
Recognise is DJ Mag’s new monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak...
Bold and ferocious, but possessing infinitely eerie depths, both the DJ sets and productions of Manchester staple, Djinn, have become essential listening in the brooding...
Cover Features
Copenhagen-based Anastasia Kristensen has rapidly risen through the ranks in recent years thanks to a natural talent for mixing and a keen selector’s ear that traverses...
In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Features
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
Cover Features
Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall
Features
Cakes Da Killa’s sound is always evolving — and his new LP, the jazz-kissed ‘Black Sheep’, is the latest step in the NYC-based rapper’s musical maturation. Produced alongside his longtime collaborator Sam Katz, it might be his best yet. Bruce Tantum learns more
Features
In-demand DJ and radio host, producer of sound system shakers for labels like Timedance and Ilian Tape, promoter and label co-founder at re:lax, Lauren Bush, aka re:ni, has become a seemingly unstoppable force in UK club music through a combination of hard work and self-belief. Alongside a pulse-quickening Recognise mix, she speaks to Jasmine Kent-Smith about formative club experiences, the importance of role models, and the pursuit of authenticity
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Clubs
Flux Day & Night, Cocoon In The Park, Farr Festival, Sequences, Nozstock and Shine says goodbye to Mandela Hall...
Britain is in the midst of its best summer in years, so thankfully the Top 30 UK events in July 2018 afford plenty of opportunities...
One of house's hottest properties
With huge records like 'No Worries' and hits for Rekids, Noir Music, Visionquest and Hot Creations, his new collabo with Christian Vogt is already doing...