When it comes to Rachiid Paralyzing’s restless strain of club music, the devil is in the details. His recent double EP for Artificio, ‘Mega Tempo’...
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Hot current talent like Swedish House Mafia and Goldfish join established dance giants like Faithless and Basement Jaxx on Pure Pacha's new-look line-up.
Ibiza has always had its cornerstone nights. Think Sunday and you won't look much further than We Love... at Space. Monday you're talking DC10 for...
Sónar Festival founder Enric Palau looks back at the event’s first quarter of a century with DJ Mag’s Sónar veteran Ben Osborne...
From 17th from 20th July, Sónar, one of the world’s leading festivals of electronic music, art and technological innovation, will return to Barcelona for its 25th year, and...
The United Kingdom of rave returns
House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...
In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Colombia’s Rachiid Paralyzing spotlights tracks “with a unique and exceptional level of composition”, from breathless 2-step and techno, to intricate IDM, breaks and ambient
Errol, Alex Rita and Sammseed of Touching Bass curate a collection of deep, jazzy grooves for hazy days and cosmic club nights, celebrating the London movement’s soul and versatility
London’s Leon Vynehall demonstrates his mastery of mood-building in his fabric mix: an absorbing experience that aims for the dancefloor with flourishes of dub, garage, electro and breaks, but doesn’t shy away from quieter, ethereal moments
Get acquainted with Wiltshire’s Eusebeia, whose ethereal sound fuses jungle, techno, dub and ambient with ancient philosophical themes
Techno icons meet next gen electronic innovators on Berlin club/label Tresor’s superb 52-track 30th anniversary compilation
From: Barcelona, Spain
For fans of: Plant 43, E.R.P, Mikron
Three tunes: ‘Verd Mar’, ‘Curie’, ‘Observer Effect’
New Zealand's Ryan Quinlivan – DJ, producer, designer and all-round polymath – offers a characteristically soulful portrait of drum & bass consisting exclusively of his...
Ryan Quinlivan, as RQ, has been quietly operating in the drum & bass periphery for two decades, often more attuned to the scene's jazz and...
‘Grey Area’ is the most raw and direct record yet from Little Simz. DJ Mag talks to the MC and visionary about being in the...
As listeners to the best music in 2019, we’ve become used to the fact that the stuff we dig probably won’t find its way into...
Push it real good
In a previous issue in DJ Mag Tech we saw how Ableton’s flagship production software, Live, has evolved into an improved powerhouse, with the new Version 9 release. However, not content with bolstering their software to be all-powerful, the guys at Ableton have added an extra dimension to the whole package. It’s obvious in their minds that software is not enough, and so exploring the next level seems like the logical progression.
Rotterdam-via-Belfast rave futurist Kessler records a storming mix for the Fresh Kicks series, and speaks to Niamh O’Connor about finding inspiration during lockdown and in...
On their new album, ‘Honest Labour’, Berlin and Manchester-based duo Space Afrika sculpt an experimental electronic sound driven by a desire to break free of...
DJ Mag's tunes of the year
2014 was the year house heads reignited their love for melody. While shufflers continued to go wild for garage, a new generation have reared their...