“I think 2020 showed us how important radio is. It’s that human connection and companionship,” says Jaguar Bingham, who sounds just as warm and friendly...
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Jaguar is the DJ and presenter at the helm of the BBC Introducing Dance show, giving first plays to many up-and-coming producers from around the...
The Crosstown Rebels man opens up about his path to dancefloor domination, rising from the figurative dead, his belief in the Crosstown “family”, the Rebel...
Damian Lazarus is the leader of Crosstown Rebels — not just a label, but a globe-trotting party and network of like minded artists. Celebrating 10 fiercely independent years of always innovative house and techno in 2013, the Lazarus man opens up about his path to dancefloor domination
Features
In this week’s Fresh Kicks mix, Belfast’s very own Carlton Doom delivers a 60-minute archive of his own productions, in the form of intoxicating breaks...
Features
With acrobatic club cuts, rave eruptions, and radiant pop manipulations, Edge Slayer crafts an hour of pure dancefloor hysteria for the Fresh Kicks mix series
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Trelik at FOLD, Ossia 3rd Birthday, Dusky at Motion...
Ah. Now there's that familiar bump (or maybe violent crash) back to Earth. January rarely makes anyone jump for joy, but fear not; it's the...
Features
Is wealth and privilege damaging British dance music, and if so, what should we do about it?
WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein
Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
Huge news for fans of Detroit techno...
Mike Banks of Underground Resistance has posted on the Somewhere In Detroit Facebook page, detailing changes at Submerge Distribution, who are responsible the delivery of...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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The event will conclude with an all-female DJ takeover
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Velocity Press will publish Ben Murphy's examination of the way field recordings fold the natural world into electronic music this May
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Out in April, it's said to be a first-person documentation of his past few years as a son, husband and father
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Dig This was inspired by a recent segment on digging for music in an interview with CCL
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Artists will receive a 10% higher royalty fee for spatial audio content
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After seven years of service the tracks-on-wheels service is no more, and all stock must go