Afro house is steeped in the percussive materials of South Africa’s townships. For decades, its polyrhythms played out on traditional African instruments — bongos, congas...
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Composer, vocalist and tape manipulator Ian William Craig delivers a spellbinding mix of melancholic, melodic and minimal atmospheres with sprawling strings and songs – one...
Few contemporary ambient artists can capture melancholy quite like Ian William Craig. Using tape loops, electronics and organic instrumentation to accompany his distinctly gossamer-light and...
We meet Jason Kendig and Jackie House of the San Fran party starters, in a converted Leyland Roadrunner backstage of Block9 at Glastonbury this year...
Shortly after 9pm on the Thursday night at Glastonbury this year, Jason Kendig and Jackie House of Honey Soundsystem are opening the Genosys stage of...
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The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity
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The secret to John Summit's success lies in his work-hard, play-hard mentality, which has led to the former Certified Public Accountant to become one of the most in-demand DJs around. Ahead of his set at DJ Mag's Miami Pool Party this month, Megan Venzin hears his story so far
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Techno would not exist as it does today without Kevin Saunderson. Some of the Detroit techno architect’s most revolutionary work has been released under the...
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One of the Internet’s most talked-about acronyms — which stands for non-fungible token — is redefining digital ownership. But could NFTs really revolutionise the music...
Claude VonStroke and his Dirtybird label celebrate 15 years with the wind beneath their wings this year. To mark the anniversary, the label head is celebrating...
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DVS1 is one of techno’s most well-respected DJs. He’s paid his dues, spent a couple of decades getting to where he is today, and it’s...
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Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...
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Dance music has a mental health problem. Sirin Kale speaks to artists such as Luciano, Courtesy and Marie Davidson, as well as some PRs and...
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Copenhagen-based Anastasia Kristensen has rapidly risen through the ranks in recent years thanks to a natural talent for mixing and a keen selector’s ear that traverses...
In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...
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Out of club music’s modern-day practitioners, few go deeper than Francis Harris and Anthony Collins. Producing under the Frank & Tony banner, working in the grand tradition of the sound’s pioneers, the duo has just released ‘Ethos’, their first long-player since 2014’s ‘You Go Girl’. Here, they speak to Bruce Tantum about their creative partnership, the uniting power of the house groove, and melancholic beauty of everyday life
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With his new podcast, Queerly Beloved, Northern Irish DJ Cormac explores what it means to be a queer artist in dance music today. Interviewing contemporary figures about their histories of queer discovery, the Panorama Bar and fabric regular continues an intergenerational conversation surrounding the life-affirming moments, communal experiences and enduring challenges of LGBTQ+ expression. Alongside an On Cue mix packed with HI-NRG anthems and Italo house, Marke Bieschke learns more
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Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
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Houghton Festival returned for the first time in four years earlier this month after surviving against the odds. DJ Mag’s Rob McCallum steps into curator Craig Richards’ musical world to rediscover a meticulously programmed audio/visual masterpiece