Seven years after breaking ground on his debut album, Spanish producer and DJ Coyu has finally unveiled his latest LP ‘You Don’t Know,’ which showcases...
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DJ Mag visit the Hungarian capital city for Miller Music Amplified, an exceptional three day music event featuring DJ sets, live music and performance art...
Coyu might be best known for techno and house, but as his debut album confirms, he won’t be pigeonholed
Avicii’s death last year shocked the dance community and laid bare the serious problems surrounding mental health in the music industry. Now, his father Klas has set up...
A violinist, beat maker and vocalist with a talent for humorous yet heartfelt lyricism, Sudan Archives new album ‘Natural Brown Prom Queen’ is out now on Stones Throw. She speaks to Christine Ochefu about her open-book writing style and her determination to follow her own path
An unanticipated accident turned one figure skater’s dreams upside down, and opened the door to a bass-fueled future the artist now known as Whipped Cream never...
Overcoming Pakistan's conservative mindset and sometimes-dangerous political tensions, a small group of artists are building a future for electronic music in Karachi
Recognise is DJ Mag’s monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak to...
Zozo’s approach to music is both earthy and otherworldly, organic and encyclopedic, political and hopeful. Standing at the core of Istanbul’s electronic music circuit for...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
The Chemical Brothers' second album, 1997's 'Dig Your Own Hole', radiated ambition and adventure, and was their first to hit No.1 in the UK charts thanks to a string of landmark singles. Here, Ben Cardew explores how 'Dig Your Own Hole' altered the Chems' creative trajectory, predicted our post-genre pop future, and catapulted them to new heights
DJ Mag Tech reviews the AIAIAI TMA-2 Wireless+, which sees the headphone giant team up with Richie Hawtin to deliver the “world’s first” dedicated wireless...
In the U.S. music fans are eagerly awaiting the safe return of clubs and festivals, but there are risks to consider before going back to...
On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
“Om Unit was never supposed to be a jungle or a drum & bass project, as such,” Jim Coles, the man behind the moniker, tells...
Duo's debut album is out now...
Now that The Chainsmokers debut album is out, the U.S duo have taken to their Facebook page to breakdown the inspiration behind each track on...
A resourceful Brit, Damian Lazarus has helped bring through many of today’s major talents and has been creating his own unique brand of cosmic electronic...
Words: Stephen Flynn
When it comes to electronic music, few of those in the contemporary domain can hold a candle to Damian Lazarus. Having caught...
The year's essential comp cuts!
It's impossible to ignore the way the web has changed the modes and mediums of music. MP3s at the click of a mouse and free...