Listen to a lot of older techno today and it sounds rather restrained. Brilliant, yes, and futuristic too, yet largely soft and melodic compared to...
Search
Results for: Response
Features
Released on Tresor in 1992, Jeff Mills' debut LP ‘Waveform Transmission Vol. 1’ is a record that stands for repetition and filth, forged from wrought steel and imbued with scuffed-up funk. Here, 30 years after its release, Ben Cardew takes a deep dive into the sound, origins and legacy of an album that birthed a new breed of techno
Features
Green Valley in Brazil experienced a double disaster last year. First came the COVID-19 pandemic, then the venue itself was destroyed in June by a...
Holding court with one of the UK’s most innovative electronic duos...
“Everything around you is so cluttered. If you go online and look at social media, it’s this big bombardment of stuff. I really wanted to...
We pick the brains of the Berlin-based tech producer, TJ Hertz...
Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...
We catch up with Ashley to learn about his DJ roots, new 'Yardism' solo project and more...
Ashley Beedle is a don. In a time when the dance world is riddled with superstar DJs, touting supersized egos, and bitching like babies at...
The year's essential kit
After the success of the DJ Mag Tech Awards of 2012 where we saw over 100,000 votes cast on the bits of kit that are...
The year's essential kit
After the success of the DJ Mag Tech Awards of 2012 where we saw over 100,000 votes cast on the bits of kit that are...
London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.
“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Cover Features
From her label to her radio show to her MoodRAW and MoodZONE events, Nicole Moudaber has emerged as techno’s most tireless ambassador. DJ Mag North...
Nicole Moudaber loves to keep moving. Everything about the DJ, producer and label boss evokes constant motion, from her propulsive, percussive music to her trademark...
Features
On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
“Om Unit was never supposed to be a jungle or a drum & bass project, as such,” Jim Coles, the man behind the moniker, tells...
Switch puts Pioneer DJ’s new DDJ-SZ2 through its paces...
Mr Switch, aka Anthony Culverwell, is one of the most talented (and decorated) DJs to come out of the UK, noted worldwide for his versatility...
Cover Features
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
Features
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
Features
Rotterdam's IMANU crafts tracks and DJ sets that do away with genre, choosing instead to surf through styles, tempos and textures with a focus on emotional impact. Alongside a hair-raising Recognise mix, he speaks to Ben Hindle about changing up his production process, taking creative risks, and visualising his sound