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The fight to preserve Ukraine’s electronic music culture in a time of war

Amidst the horrors of russia's war on Ukraine, local DJs, producers and music professionals have had their lives ripped apart, but many have passionately continued their work at home and abroad, using their experience to provide funds and direct aid to causes on the ground. Here, Tanya Voytko talks to artists from across the country about their personal experiences over the past six months, and to learn how they’re striving to preserve and promote their rich and diverse electronic music culture

I started writing this article on 22nd June, the day of remembrance for the victims of World War II in Ukraine. At dawn on that...

With acrobatic club cuts, rave eruptions, and radiant pop manipulations, Edge Slayer crafts an hour of pure dancefloor hysteria for the Fresh Kicks mix series

The Drumcode boss lays it all out in a candid interview...

 On the eve of Drumcode’s 20th anniversary, Adam Beyer sits down with DJ Mag to talk about his label, his family, and what’s possible...

With music venues shuttered across the nation, and no timeframe for reopening, the future looks bleak for UK clubbing. DJ Mag speaks to venue owners...

Being in close proximity with people you don’t live with is a dangerous activity. Being in a confined space is a dangerous activity. Dancing close...

Vintage Culture press shot in a yellow jacket

Vintage Culture has come a long way from a small town in Brazil to playing stadiums, topping dance charts and partying with football royalty. After suffering near-burnout from constant touring, he’s recharged and full of vitality, with a deeper sound he loves with all his heart, hundreds of tunes ready to go, Ibiza and Las Vegas residencies scheduled, and a set lined up at DJ Mag's Miami Pool Party

Lukas Ruiz grew up in Mundo Novo, a tiny municipality with under 20,000 inhabitants, right on Brazil’s border with Paraguay. His mum had always told...

Batu press shot surrounded by purple flowers

Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him

On a cool night in upstate New York in September 2019, the floorboards of a wooden hut at Camp Kennybrook are shuddering with bass. Somewhere...

Photo of Dirty K next to the packshots of releases chosen in his Selections

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks

The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...

U K, G?: the electronic music collectives opening up conversations around mental health

Sticky Tapes, eott and Don’t Keep Hush tell Jack Ramage how they’re helping to shift perceptions around wellbeing in dance music

The stigma surrounding mental health has drastically changed over the last decade, with people beginning to realise how important it is to talk about their...

Photo of T.williams posing in a white t-shirt and blue baseball cap

Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker

“That cross-section between a banger instrumental and a nicely crafted song was always something that I really enjoyed,” says T.Williams, reflecting on the kind of...

Vinyl is more popular than it’s been in years, and wax-only labels are seen as some of the best in dance music. But is our...

We're still deep in the midst of a resurgence in vinyl culture. Vinyl sales continue to rise year on year, up 12% in 2018, and vinyl-only...

An interview with Krafty Kuts

Krafty Kuts, aka Martin Reeves, is hands-down one of the most enthusiastic and hard-working men in music. In an exclusive interview with DJmag.com’s Jessica Seckington...

Paradox: the numbers game

Three decades and nearly 200 records into his  career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live

“At the moment, I’m just trying to think of ways to bankrupt my distributor,” says Dev Pandya, his face plastered with a schoolboy grin. While...

The Covid-19 crisis has thrown up many problems for the manufacturing and distribution of vinyl. Bruce Tantum speaks to a selection of record shops, labels...

Most vinyl consumers probably never think about the path that their favourite new record has travelled. They scan the wall of their local shop or...

Two generations of Black women speak about their experiences in dance music

After reflecting on how we can tackle the issues around racism and racial injustice within the electronic music industry as a publication, we delivered our...

Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...

If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...