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With his DJ sets and productions that meld grime, techno, jungle and avant-garde experimentalism, Mumdance is one of the most original artists in UK dance...

Few DJs represent the spirit of UK dance music like Jack Adams does. A lifelong student of hardcore, drum & bass and grime, he is...

DJ Mag travels to High Contrast's home city of Cardiff to meet the film-obsessed DJ/producer...

Lincoln Barrett really loves movies. Invited into his spacious house in the town of Penarth, minutes from central Cardiff, it’s impossible not to notice the...

We meet the Italian techno don face-to-face in Barcelona...

Joseph Capriati is the rapidly-rising Italian techno star who's broadened his sound out for Ibiza to inject more groove into it. Leaving behind the Music...

He was the Electrifyin’ Mojo of the indie disco. The bootleg king. The electroclash god. But when each of those scenes imploded, Erol Alkan stepped...

Erol Alkan was 27 when he received his first album offer. Kylie Minogue had just performed his ‘Can’t Get Blue Monday Out of My Head’...

You won't need reminding that, for five days during October, Holland's capital is a swarming hive of clubbing activity — even more so than during...

From bicep-flexing big-room monoliths to achingly cool cats of underground fame, Amsterdam Dance Event has it all and everything in-between. With the many workshops, panel...

Album covers from electronic music film soundtracks

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...

COVID-19 has rapidly impacted the music industry — leaving thousands out of work. The government dumbfounded many when it was suggested that those from an...

Since the beginning of 2017, every weekend, the metal walkways and staircases of Printworks, the 5,000-capacity venue in London’s Surrey Keys, have vibrated to sounds...

Ever since the revelations in Hollywood about film producer Harvey Weinstein, and the subsequent #MeToo stories of sexual misconduct, the dance music world has been...

THE DJ
“To be honest, it’s easier to come up with a time something sexist DIDN’T happen. There are so many instances I don’t know...

She’s the Paris-based New Yorker who’s overcome the struggle of addiction and dance music industry tokenism to forge her own path. Louisa Pillott, aka LOUISAHHH...

"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...

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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...

The Paris-based, NYC-born DJ/producer fronts this month's issue...

"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Tony De Vit DJing. He's wearing an orange sweater with his left harm held high over his head, with a big smile on his face.

Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced

In case you hadn’t noticed, hard house is back. Though for some, like the ill behaviour, it never went away. A new generation of DJs...

With his house-focused project Jack Back, David Guetta has returned to the sound that first got him fired up about dance music. In his DJ Mag...

On October 19th last year, David Guetta went out onto the main stage at Amsterdam Music Festival (AMF) in the Johan Cruijf f ArenA, where...

Japan is producing some of the world’s most vital techno, though its roots go way back to the late 1970s. We talk to some of...

Since the end of World War II, Western culture has loomed large over everyday life in Japan. The decades since have brought about a wide...