Tim Reaper’s star has been rising for over a decade. In junglist circles, he’s moved past being the exciting new kid on the block to...
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Features
The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021
DJ Mag co-sponsors Benny's debut live show in London
Benny Page has been talking to DJ Mag about his debut live show, his new single 'Champion Sound' and his new album, recorded with a...
From: Los Angeles
For fans of: John Talabot, Prins Thomas, Young Marco
Three tunes: ‘Pacifico’,
A couple of years ago, most people knew Cooper Saver as a promoter. His Far Away parties, which he’d largely been throwing in warehouses and...
Features
Ben Cardew revisits Richie Hawtin’s acidic masterpiece, 1993's ‘Sheet One’, perhaps the most definitive example of Roland’s TB-303 synthesizer ever released in the album format
The TB-303 is one of the most iconic sounds in electronic music; a kind of acidic, alien howl that immediately places the listener in the...
Features
The Crystal Method are one of the United States’ longest-standing dance music outfits, with a career that spans over two decades, thousands of gigs and...
On the north side of downtown Los Angeles, under the Broadway Bridge, a parking lot heaves with the breakbeats of Scott Kirkland of The Crystal...
Features
Robin Campillo's 120 BPM is a film that shines a light on the tireless work of AIDS activists, ACT UP, in early '90s Paris. Arnaud...
The early 1990s were a pivotal time for the influential underground movements of Paris. Culturally, socially and musically, communities grew within the clubs and social...
Music
Disco Halal don and DJ/producer supreme Moscoman steps up for our latest podcast, delivering an hour of intoxicating rhythm, swerving melody and psychedelic sensibility.
Banging!
Piem has been on our radar for a while, and we're delight to have finally locked him down for our DJ Mag Weekly Podcast series. ...
Best of British 2015, educated by Poiny Blank
OTHER NOMINEES
LEFTFIELD
PARANOID LONDON
KARENN
THE PRODIGY
BROTHERS IN RHYTHM
As they continue to innovate and rock some choice festival crowds, The Chems beat...
Numark claim that their NS7II is the best DJ controller ever built — is this a boast too far?
Given the amazing reputation that the original NS7 has rightfully gained, the release of the next generation NS7II has had many tongues wagging in the...
SSL bring their legendary reputation for building high-end studio mixers to the project studio...
There are few names in the production world that enjoy the same status as SSL, who have been building some of the world’s most desirable...
Scottish dance pioneers Finitribe reboot
Finitribe started off as an experimental guitar band in the mid-'80s but they soon embraced electronic music and sample culture and set up their own Finiflex label.
Skrillex & Boys Noize favoured plug in
Every now and then, a plug-in just slips under the radar. Released last year, Sugar Bytes' Cyclop came recommended by the likes of Skrillex and Boys Noize, to name just a couple of heavyweight users. But those endorsements were likely to deter as many producers as they attracted (and with the same level of conviction), so perhaps it's understandably taken a while for producers in other genres to catch on.
Saturday March 16th
Welcome to day one of our Miami blog. Across the course of the week we will be bringing you daily updates from the Winter Music Conference, Miami Music Week or whatever you want to call the annual celebration of electronic music taking place in Miami right NOW!
At what point did remixing mainstream pop rubbish become acceptable?
Don't get DJ Mag wrong, there's been a long tradition of the remix as a credibility boost in the music industry. Back in the day, from the late '80s and the first crossover of house music onwards, dire popstrels of the ilk of Simply Red and the Spice Girls (or rather their record companies) would be queuing up for a taste of authentic dance flavour, getting cool names to remix their tracks in order to boost sales of 12”s.