Skip to main content

Search


Results for: Space54

Andy C explains how he's always kept the faith with drum & bass...

“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...

She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...

It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...

Lavurn in a dark room with a hood up holding a shard of metal

As Cassius Select, the Toronto-born DJ and producer Lavurn Lee has spent the past decade crafting mercurial club music packed with bass and breaks. But on his debut album under his given name, he revisits the vocal-led experimental R&B of his earliest releases, revealing a more intimate side to his artistry. Alongside a Recognise mix filled with shadowy ambience and anxious beats, Dhruva Balram learns the story of ‘LAVURN’

“I’ve realised I’m bad at interviews,” says Lavurn Lee over a video call from Berlin. “I’m bad at all the stuff outside of making the...

Photo of Frank & Tony sitting at a table outside a red cafe

Out of club music’s modern-day practitioners, few go deeper than Francis Harris and Anthony Collins. Producing under the Frank & Tony banner, working in the grand tradition of the sound’s pioneers, the duo has just released ‘Ethos’, their first long-player since 2014’s ‘You Go Girl’. Here, they speak to Bruce Tantum about their creative partnership, the uniting power of the house groove, and melancholic beauty of everyday life

The music of Francis Harris and Anthony Collins seems, on one level, to exist in a world of their own making. Working together as Frank...

Roland AIRA T8 review

The mini AIRA emulates some iconic Roland drum machines in a small package. But is it a worthy addition to a working studio, or a good first venture into outboard gear? DJ Mag's digital tech editor Declan McGlynn finds out

It wouldn’t be a stretch to say Roland’s iconic instruments define the sound of house, techno, acid and electro. Their original TR range of drum...

Festival crowd artwork

Most DJs love playing festivals, but what should you do when you’re asked to play one for free, and even cover certain costs yourself? Ria Hylton speaks to DJs Sheba Q, Harold Heath, Charlie Dark and others, along with festival organisers, to find out

Imagine this: you’ve been playing lowkey sets around your hometown for some years, run a small but well-loved party series and have landed a regular...

QRTR press shot

On her new album, ‘infina ad nausea’, Brooklyn's QRTR blends multi-layered melodies with club-ready beats, from house and techno to UKG and jungle. Ahead of her set at DJ Mag's Miami Pool Party this week, she chats to Ben Murphy about her distinctively trippy sound, her famous feline friend, ambientkitty, and the busy festival season ahead of her

“I feel very comfortable drawing from a lot of different influences, and don’t feel like I need to box myself into something necessarily,” says Meagan...

On Cue: Chrissy

San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’

Does rave need a do-over? Three decades on, some of the movement’s most ardent believers have become its fiercest critics. 
“Our scene has failed to...

Solid Gold - Chemical Brothers 'Come With Us'

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...

A fusionist known for intense bass and intricate drumplay, DJ and producer Hagan has built a name for himself by blending the sounds of UK...

Twenty years after it first lit up dancefloors around the world, Rui Da Silva and Cassandra Fox's No. 1 hit ‘Touch Me’ is transcending generations...

The UK chart’s first No. 1 single of 1981 was the saccharine ‘There’s No One Quite Like Grandma’; in 1991, it was Iron Maiden’s turbo-charged...

Coronavirus may have put a stopper on travel to the White Isle for the moment, but that doesn't mean you can't discover the pockets of...

Ibiza. The island of hedonism. The global epicentre of superclubs and after-parties. Home to Privilege, Amnesia, Hï and DC-10. Increasingly overrun by tourism, VIP culture...

Vinyl is back, but the format comes with a serious environmental cost. As the dance music world attempts to go greener, some companies are working out ways...

From the travelling of punters and touring artists, to the plastic consumption in nightclubs and festivals, all the way to the production of equipment and...

Photo of Bad Snacks wearing a pink and blue jumper against a pink background

In life’s messier moments, it’s only natural to seek out a place of comfort. On her new ‘Home Music’ EP, the violinist and producer known as Bad Snacks tells the story of how she regained a sense of belonging through soaring instrumentals and a soothing spin on upbeat house

There’s something inherently comforting about the “This Is Fine” meme. You know the one, where the dog is smiling numbly into the abyss, enjoying his...

We catch up with the enigmatic DJ/producer to talk music production, Pryda Presents and why he loves the White Isle...

Eric Prydz rarely does interviews, but DJ Mag Ibiza has managed to snag him for a chat about his new Ibiza residency — the first...