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Overcoming Pakistan's conservative mindset and sometimes-dangerous political tensions, a small group of artists are building a future for electronic music in Karachi

Around the turn of the decade, there was something distinctly wanting in the Karachi electronic music space. Despite artists releasing tracks, there appeared to be...

Soon, you’ll be able to upload music directly to Spotify without a label or distributor – here’s what it means for the dance music world...

Yesterday Spotify announced a new feature that allows artists to upload music and releases directly to the streaming platform for free, without a label or...

The Bloc Party singer is just off a 10-date DJ tour of the US when DJ Mag catches up with him...

“It was the first time I've toured completely by myself — no tour manager, no band, no nothing,” he says. “But it was awesome, I...

The seminal tracks that changed dance forever

Kevin Saunderson and Derrick May were high school pals with Juan Atkins in Belleville, just outside of Detroit. It was Juan who started making other-worldly...

We catch up with Digital Delight/Sultry Vibes boss Sishi Rosch

The musical feast that is BPM Festival helped us to catch up with lots of up-coming acts who had been on our radar for some...

Ex-Deep Dish man talks about new single and album

Recruiting the vocal talents of Anousheh, ex-Deep Dish man Sharam makes his bid for a summer anthem with ‘Fun’. A bittersweet lament for fondly remembered...

Underworld ‘Dubnobasswithmyheadman’ CD case opened on a black baground

Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy

This feature was originally published in 2019 for the 25th anniversary of ‘Dubnobasswithmyheadman’ In 1994, live performances by UK dance acts were big news. Electronic...

Selections: Elisa Bee

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Milan’s Elisa Bee spotlights slamming house, techno, acid and electro

Elisa Bee first appeared in DJ Mag back in 2017, when she delivered an entrancing blend of chunky house and rumbling techno for our Fresh...

Our annual Top 100 Clubs poll is back for another year. DJ Mag readers from around the world voted in their droves for their favourite...

When we announced the results of our annual Top 100 Clubs poll last year, much of the world was just going into lockdown for the...

The latest and greatest DJs and producers rising to top this month. From left-field pop, krautrock and techno to melodic UKG and ice-cold UK rap...

“When looking for music, I’m always on the hunt for wacky guitars or weird noises that make you go ‘Whaaaaat?’” says Tia Cousins. “I love...

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...

Photo of T.williams posing in a white t-shirt and blue baseball cap

Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker

“That cross-section between a banger instrumental and a nicely crafted song was always something that I really enjoyed,” says T.Williams, reflecting on the kind of...

A staple of Bristol’s hybrid bass/techno scene, Hodge has begun to branch out in recent years, resulting in a stunning debut album, ‘Shadows In Blue’...

Takumi Fujiwara is a tofu delivery driver. His father, Bunta, holds the record of the fastest downhill time at Mount Akina; he’s known as “the...

Brooklyn, NYC duo Wolf + Lamb aren't just a DJ/production outfit. They're a movement, a label, a club, and extended family of like-minded artists, offering...

Few artists inspire a devotion bordering on the religious. But the gospel according to Wolf + Lamb has already spread far and wide, their near...