DJ, turntablist and producer NikNak approaches the decks differently. The Leeds-based artist’s debut album, ‘Bashi’, released in 2020, found her using turntables to manipulate field...
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Features
Sexual harassment is a widespread problem that remains prevalent in our supposedly progressive dance music scene. A number of new initiatives have proposed a solution...
In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...
Features
Rotterdam-via-Belfast rave futurist Kessler records a storming mix for the Fresh Kicks series, and speaks to Niamh O’Connor about finding inspiration during lockdown and in...
From DJ supergroup to live powerhouse
Face it. Often, the biggest acts in electronic music come at us like bass-dropping wolves. Above & Beyond is the group that bears a unique...
DJ Die on Gutterfunk, Clear Skyz and mixing Chic with DJ Hazard
DJ Mag chat to Bristol bass head DJ Die
News
The trap phenomenon explained
Trap is the slow-rolling, synth-heavy, snare-snappin' sound that's swept underground dancefloors and stadiums alike across the US and Europe. But what is trap? Is it a genre of its own? Where does it come from? Why's it so popular — and why's it hated in equal measure? Does it have a future? Danna Takako investigates...
An in-depth talk with the Hyperdub main man about his new album with Spaceape, 'Black Sun'...
With their new album ‘Black Sun’, Hyperdub’s Kode9 & the Spaceape have left tired genre pigeonholes behind, switched up their sound and conjured a bright...
Features
Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds
Features
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
Features
The Crystal Method are one of the United States’ longest-standing dance music outfits, with a career that spans over two decades, thousands of gigs and...
On the north side of downtown Los Angeles, under the Broadway Bridge, a parking lot heaves with the breakbeats of Scott Kirkland of The Crystal...
DJ also attacks failed drug policing...
Howie B has condemned the Police for their handling of fabric, both in the current case involving the deaths of two 18-year-olds from drug overdose...
Features
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Pointless Geometry's FOQL spotlights experimental electronic sounds from the Polish underground
Ibiza may be a small and perfectly formed island but with its many layers of hidden charms and nocturnal naughtiness it can be a tough...
1. Steady on son...
Even if you're only here for a week, like anything in life the Ibiza experience is at its best when you...
Features
Brooklyn’s Sobolik records a whirlwind mix of leftfield techno, breaks and bass for the Fresh Kicks series, and chats to Eoin Murray about participating in Martyn’s mentoring programme, building IRL and online music communities and more
Features
The latest and greatest DJs and producers rising to the top this month. From future-facing UKG and electro to funk-infused liquid d&b and warehouse-ready breaks...
Opinion
Juke Bounce Werk co-founder, Alexis Gutierrez — aka DJ Noir — explores how language can be used to appropriate Black culture and leave behind its...