“Kia ora!” Lady Shaka greets New Zealand’s debut Boiler Room show. This is FILTH, a radical club community that centres QTBIPOC, and their first post-Covid...
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From career triumphs to personal tragedies, his time has truly come
Mr G has led a tempestuous life with as many career triumphs as personal tragedies. From his roots in early UK housers KCC to techno years with The Advent, he's been an intrinsic link in dance music's evolution. And after all the tribulations, with a career retrospective for Rekids and more popularity than ever, it could be his time has truly come...
Charting the rise from DJing at seminal Nottingham outpost The Bomb to his current role as the musical polymath behind Leftroom Records.
The slow burn. That has always been Matt Tolfrey's modus operandi. He's more concerned with foundations, with building a family of likeminded house heads around him rather than surrounding himself with people who can advance his career.
"Smoke weed every day."
You’ve got to give it to them – Das Racist are like nothing else out there.
The Brooklyn-rooted hip-hop duo first hit the scene a...
The unstoppable Swedish House Mafia - Axwell, Sebastian Ingrosso and Steve Angello - bring their power-house to their new Ibiza residency. And right now it...
Ibiza, Pacha, 4am, and a night that’s already hit dozens of precipitous highs is launching itself upwards to its dizziest high yet. The dancefloor is...
French electro team Justice are preparing for a full-scale assault on the USA. The hottest production team on Earth, they're going all out to win...
It was in 2005 that a new sound first exploded into our eardrums. Appearing on then little-known Parisian record label Ed Banger, when the sonic...
Global club beats, queer femme energy and Pacific Island identity come together in Lady Shaka’s joyful Recognise mix. Ahead of her appearance at Sónar Festival this month, the DJ and interdisciplinary artist speaks to Anna Cafolla about building connections around the world, uplifting her communities, and her Pasifika club sound
Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’
As the underground drum & bass label celebrates its 20th anniversary, Critical Music founder Kasra records a breakneck mix of tracks from its catalogue, and chats to Jake Hirst about the imprint’s history and constant evolution
Tali was the first female drum & bass MC to feature on DJ Mag’s cover in 2004, coinciding with the release of her debut album ‘Lyric On My Lip’ on Full Cycle. Nearly 18 years on from that trailblazing release, Jake Hirst connects with the artist to discuss her self-produced eighth studio album, ‘Future Dwellers’, and the journey of self-worth that lead to it
Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork
The mini AIRA emulates some iconic Roland drum machines in a small package. But is it a worthy addition to a working studio, or a good first venture into outboard gear? DJ Mag's digital tech editor Declan McGlynn finds out
Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test
San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’
Though a clear reflection of his taste in music, Newcastle’s Me Me Me label isn’t all about its founder, Man Power. Alongside a mix from its hard-to-define and easy-to-love catalogue, the DJ and producer tells Kristan J Caryl about the imprint’s focus on bringing artists together