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Keith McIvor and Jonnie Wilkes, aka Optimo (Espacio), have helped define Glasgow’s musical landscape for over two decades with their eclectic and dynamic dancefloor selections. As 2022 marks Optimo’s milestone 25th anniversary, a tour of their home city reveals the ethos behind their inimitable sound

A decade and a half into a career making emotionally involved house music, Fred P’s sense of purpose is stronger than it’s ever been. The New York–born, Berlin-based artist fills us in on where he’s been, where he’s at and where he’s heading

Ron Trent has a deep understanding of electronic music. Beginning his production career in his teens, the venerated Chicago resident has travelled through techno, deep house and Afro house over the years. His latest album ‘WARM: What Do The Stars Say To You’, produced with a live band, demonstrates the duality of his work: it’s futuristic and somehow ancient, cosmic and aquatic. DJ Mag's Ria Hylton catches up with the Chicago house legend to learn more

British-Ghanaian MC ShaSimone has had a whirlwind two years, featuring on a number one album, dropping her debut EP, and becoming a regular face on GRM Daily. She speaks to Rahel Aklilu about being impulsive, the influence of East London on her sound, and working with Mercury Prize-winning rapper Dave

In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene

Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far 

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge