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Photo of the four members of Girls Don’t Sync in the booth together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...

Castlemorton 1992: photographing the Illegal rave that changed UK dance music forever

2022 marks the 30th anniversary of the biggest and the most infamous illegal rave that ever took place: Castlemorton – a week-long, 20,000-person party deemed so anarchistic that it shook Middle England to its core. Here, photographer Alan Lodge tells his story of capturing a week changed UK dance music forever

It started on a particularly sunny bank holiday weekend, on the 22nd May 1992. A ramshackle convoy of vehicles, which served as the rag-tag homes...

Collage of artists included in DJ Mag emerging artists feature for march

The latest and greatest DJs and producers rising to the top this month. From tripped-out rap and laid-back house to rapid-fire breakbeats and more, here's April 2022's list of upcoming talent you should be keeping track of

London-based An Avrin might have failed his sixth-form music tech course, but he’s been on a successful run with music ever since, with releases on...

It wasn’t their song and they didn’t play any instruments, but Saint Etienne’s Balearic classic ‘Only Love Can Break Your Heart’ caught the tailwind of...

In a period when the divide between the UK’s club scene and indie kids was as wide as it was bitter, Saint Etienne managed to...

Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...

Black Science Orchestra founder Ashley Beedle mulls over last year’s activity and bursts into laughter: “I went to the doctor to get my COVID jab...

Shanghai’s pioneering SVBKVLT label is creating a bold new future for electronic and club music, spearheading a movement inspired as much by Chinese tradition as avant-garde...

It’s a week-night at Corsica Studios and the loudest club in London is packed out and shrouded in fog. Metal barriers carve out a makeshift...

Team DJ Mag asked DJs featured in our annual Top 100 and Alternative Top 100 polls to vote for their absolute favourite festivals. Collating all...

11. BURNING MAN
12. TIMEWARP
13. CREAMFIELDS
14. MOVEMENT
15. PAROOKAVILLE
16. WORLD CLUB DOME
17. LOVE INTERNATIONAL
18. OUTLOOK
19. FUSION
20. DOUR

Over the years, we’ve kind of made polls something of a speciality here at DJ Mag. Over 1.2 million people voted in the Top 100...

How an adult version of Tetris kickstarted multiple musical revolutions 

How much credit can you give a tool for creating art? Surely it's like praising the paintbrush for a great painting, or the typewriter for...

On Cue: Warlock

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...

Loftgroover

Rising to notoriety in the ’90s with his hardcore techno DJ sets, Loftgroover had a huge following, before the pressures of popularity led him to withdraw from the scene. 30 years later, he’s back and rejuvenated as a d&b DJ. Holly Dicker learns his story

One of the UK’s greatest living DJs never intended to be a DJ. For Loftgroover, the music itself was enough. “DJing didn’t appeal to me,”...

Debit

On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”

Delia Beatriz stands at a unique intersection in electronic music. As Debit, the Monterrey, Mexico-born, New York-based producer, DJ, audio engineer and live artist has...

Photographer Stuart Linden Rhodes, known mononymously Linden, spent the ‘90s capturing the queer clubbing scene in the north of England on his camera. Now his...

Throughout the 1990s, Stuart Linden Rhodes was a teacher by day and a writer and photographer covering the north’s gay clubbing scene at night. In...

DJ Mag's digital tech editor rounds up the best Christmas gifts for DJs and producers in 2021. Whether it's for yourself, a partner, a family...

Virtuoso is an educational platform featuring video masterclasses from some of electronic music’s biggest artists like Skream, Carl Cox, B Traits and Eats Everything. You...

DJ Fresh has had a life of vertiginous highs and crushing lows — from his time in drum & bass supergroup Bad Company, to having No.1...

DJ Fresh still vividly remembers where he was the moment he knew his health was in trouble. “I was sitting in traffic on the Hammersmith flyover, driving home from the...

The first dBridge album in 10 years pushes the boundaries of what drum & bass can be to the limit, but as we find out when we meet...

September 2018: Darren White, the artist we know best as dBridge, is in a good place. Literally, creatively, professionally, he’s in the midst of his most prolific and accelerated...