“It’s terrifying... I wake up every day and hope that we find a way to keep going,” Kate Hodgkinson, co-founder of Cobalt Studios, an independent...
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Results for: Two Seasons
Post-pandemic, as UK clubs have attempted to regroup, they’ve been impacted by soaring energy bills, rising costs and hesitant ticket buyers. Jack Ramage talks to club owners and promoters about how they’re weathering the storm, and asks what can be done to ameliorate the situation?
For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
The aftermath
You may have followed the gonzo tweeting from our roving US reporter, Drew 'Drewzilla' Millard, on the ground at Ultra Festival, Miami, for 2011’s...
Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds
Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...
The unmissable parties that you need on your radar!
It’s back. America's most important electronic music gathering is returning to South Beach in Miami. The Winter Music Conference 2013 (and its wider nomenclature Miami Music Week) will be host to the industry's hot shots — the DJs, producers, promoters and label owners pulling the strings of this international emporium we call dance music — their arms (and minds) wide open to another onslaught of Miami madness.
After almost 30 years — minus a couple of splits — operating as Orbital, Paul and Phil Hartnoll are back with their first studio album...
Orbital are back. Hooray! One of the most important electronic bands of the last 30 years have split a couple of times over the years...
Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of their appearance in Miami at the DJ Mag pool party, they tell Amy Fielding how risk-taking, open-mindedness and collaboration are at the heart of everything they do
The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced
Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival
The Black Madonna is the real deal. Raised in Kentucky but born in the DJ booth of Chicago's Smartbar, she's unleashed the true spirit of...
It’s a Sunday in 2015 on the third day of UK festival Field Maneuvers, a back to basics ‘dirty little rave’ held in a eld just...
The latest version of the popular DJ software makes bold claims around stem separation. But does it actually work?
I. JORDAN has stormed the electronic music world in the last couple of years with their energising productions and DJ mixes. Their 2020 breakthrough EP...
Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker