The quest is timeless. Swapping clues with randoms at services. The heartless pulse of the party-line’s engaged tone. The convoys, intrigue, suspense, rumours. The commitment...
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Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
With his house-focused project Jack Back, David Guetta has returned to the sound that first got him fired up about dance music. In his DJ Mag...
From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...
The California-raised producer Channel Tres is a natural born trailblazer. As the name behind Compton House, he’s found admirers for his self-coined genre within funk, hip-hop and pop audiences. In his forthcoming album ‘Head Rush’, he’s expanding upon that diverse aesthetic by tapping into his divine intuition to tell his life story and introduce the world to new depths of his musicality
From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders
With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...
DJ Mag USA gets the inside scoop on WMC from your fave DJs...
The year is 2017. The month is March. This means one thing: We are going to Miami where the heat is on all night on...
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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...
Italo disco is everywhere again. But what does Italo even mean today, and is it at risk of being diluted into a catch-all term for anything with an '80s disco sparkle? Joe Roberts dives into the genre's history, and chats to some of its new devotees and longstanding champions about its ever-evolving sound
Sexual harassment is a widespread problem that remains prevalent in our supposedly progressive dance music scene. A number of new initiatives have proposed a solution...
In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...
Andy C explains how he's always kept the faith with drum & bass...
“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...
Arriving in Miami means a lot to our cover star Eric Prydz – for more than one reason. The man who effortlessly makes underground house...
Going to Miami is a very big deal for Eric Prydz. Two years ago, the last time he was there, his massive track 'Pjanoo' became...