Every drill scene has its transcendent track; one so potent that it blasts hyper-localised sounds out towards national and international listeners. ‘Don’t Like’, ‘Let’s Lurk’...
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Features
Ireland’s drill scene has been blowing up since 2018, with homegrown rappers and producers putting their own spin on the world-conquering sound. Robert Kazandjian speaks...
Features
Progressive house champion Cristoph shows us round his Newcastle haunts, and tells us how his friends and family, and the patronage of Eric Prydz, have...
We interview Nadastrom & Sabo ahead of hitting the road, plus free Scion AV EP!
We went, we saw, we determined. The verdict: moombahton. It's all over the place and the people love it. So much so that we no...
Cover Features
Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year has...
Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...
If anyone is dance music's renaissance man, it's Detroit's Seth Troxler. There's a lot more to Seth than his hedonistic image might suggest, as DJ...
Still bleary-eyed after a night DJing to hundreds who braved freezing January weather to hear him spin on a Wednesday evening in Bristol, Seth Troxler...
Over the years, has anything offered more sun-drenched hedonism than the Miami party season? Judging by the amount of bikini-ridden, buff-tan parties squeezed into Miami’s...
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Features
From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders
Features
Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...
Features
It’s true that house music would still exist if Marshall Jefferson hadn’t been around to guide it — but it’s equally correct to say that without Jefferson...
Cover Features
The Black Madonna is the real deal. Raised in Kentucky but born in the DJ booth of Chicago's Smartbar, she's unleashed the true spirit of...
It’s a Sunday in 2015 on the third day of UK festival Field Maneuvers, a back to basics ‘dirty little rave’ held in a eld just...
DJ Mag USA gets the inside scoop on WMC from your fave DJs...
The year is 2017. The month is March. This means one thing: We are going to Miami where the heat is on all night on...
No one represents drum & bass quite like DJs Fabio & Grooverider...
Sure, there are other obvious contenders, but Fab and Groove were there right at the beginning. They didn't just sit at the table — they...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today