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In response to big room club culture, a number of grass roots promoters, venue managers, artists, and opportunists are seeing success from putting on free...

Last year’s International Music Summit report showed that over one-fifth of British nightclubs closed in the year to December 2018. The tip of a more...

 We celebrate 303 day with some of our favourite acid experts

One of electronic music's most iconic sounds, Roland's original TB-303 is truly a classic bit of kit. Over the years, its been often imitated, rarely...

We go behind the scenes of Laurence Guy's live show, set-up and performance approach

Church Records regular Laurence Guy's transition from DJ to producer to live performer saw his studio and set-up shift and evolve as he developed his...

2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...

Some years stand out for the bangers they produced, for the adrenaline-shot belters that shook festivals and club floors night after night, and never felt...

Photo of RIOT CODE wearing a blank tank top in a dark room, with a large beam of light shining around him from the back

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...

On Cue: Warlock

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...

Kuedo's widescreen synth futurism

Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional

The passing in May of composer Vangelis showed just how much influence the Greek synth pioneer has over electronic music. A BBC tribute showcased tracks...

The latest and greatest DJs and producers rising to top this month. From tough techno and sun baked house to icy UK rap, breaks and...

Currently based in London, ohmydais has been cutting her teeth on radio via her monthly residency on Threads, building a plethora of shows that are...

Battling cultural stereotypes and lazy genre misnomers, a core set of Mexican artists, based around the NAAFI label and party series, are reshaping the hybrid...

Music is a language, but sometimes the intricacies of a sound can get lost in translation. One night in Berlin in 2018, Wasted Fates was...

Across the UK, there's a bubbling scene of young producers and DJs, re-shaping garage for a new generation of ravers. DJ Mag speaks to some...

“No matter how awful the vibe is, you can always stick a garage tune on and it’ll transform the room,” says Manchester producer and DJ...

An hour of gritty disco, rusted house and shrouded breaks from The Cyclist. We catch up with the Tape Throb innovator to talk punk, lo-fi...

Nothing sums up the work of The Cyclist quite like the name of his most recent EP. ‘Boards of Chicago’ was released via Italian label...

DJ Mag's latest monthly mix series puts the focus on the labels we love; outlets that are championing new artists, dropping key releases and driving...

Since 2007, Huntleys + Palmers has stood at the helm of Glasgow’s electronic underground. Started by Andrew Thomson as a small party series, H +...

They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...

A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...

The past, present & future of the most important festival in the Balkans...

Exit isn't a festival, it's a movement. Held each year in a gargantuan fortress that sits atop Serbia’s second capital of Novi Sad, Exit is...

DJ Mag investigates the cynical money-making practice of digital music piracy...

Music piracy used to be a bit of home-taping of the Top 40 chart off the radio, or some guys selling illegal live bootleg tapes...