Last year’s International Music Summit report showed that over one-fifth of British nightclubs closed in the year to December 2018. The tip of a more...
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In response to big room club culture, a number of grass roots promoters, venue managers, artists, and opportunists are seeing success from putting on free...
We celebrate 303 day with some of our favourite acid experts
We go behind the scenes of Laurence Guy's live show, set-up and performance approach
2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
The latest and greatest DJs and producers rising to top this month. From tough techno and sun baked house to icy UK rap, breaks and...
Battling cultural stereotypes and lazy genre misnomers, a core set of Mexican artists, based around the NAAFI label and party series, are reshaping the hybrid...
Across the UK, there's a bubbling scene of young producers and DJs, re-shaping garage for a new generation of ravers. DJ Mag speaks to some...
An hour of gritty disco, rusted house and shrouded breaks from The Cyclist. We catch up with the Tape Throb innovator to talk punk, lo-fi...
Nothing sums up the work of The Cyclist quite like the name of his most recent EP. ‘Boards of Chicago’ was released via Italian label...
DJ Mag's latest monthly mix series puts the focus on the labels we love; outlets that are championing new artists, dropping key releases and driving...
Since 2007, Huntleys + Palmers has stood at the helm of Glasgow’s electronic underground. Started by Andrew Thomson as a small party series, H +...
They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...
A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...
The past, present & future of the most important festival in the Balkans...
Exit isn't a festival, it's a movement. Held each year in a gargantuan fortress that sits atop Serbia’s second capital of Novi Sad, Exit is...
DJ Mag investigates the cynical money-making practice of digital music piracy...
Music piracy used to be a bit of home-taping of the Top 40 chart off the radio, or some guys selling illegal live bootleg tapes...