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Bob Sinclar has cultivated the image of a French international playboy over the many years.

He's been involved in house music, although in truth he is quite the family man. Now living in LA, he tells DJ Mag here the story of why he chose these tracks for this issue's covermount mix, where he digs for sample sources, and exactly what else he's been up to lately...

The Crosstown Rebels man opens up about his path to dancefloor domination, rising from the figurative dead, his belief in the Crosstown “family”, the Rebel...

Damian Lazarus is the leader of Crosstown Rebels — not just a label, but a globe-trotting party and network of like minded artists. Celebrating 10 fiercely independent years of always innovative house and techno in 2013, the Lazarus man opens up about his path to dancefloor domination

The main room sound of Porter Robinson

Only 20-years-old and already a dance music star, with Top 10 chart hits in the UK, a residency in Las Vegas and US wide tours under his belt, Porter Robinson is the new face of the hugely popular big room electro house sound. But as it turns out, he spurns fame, cringes at the acronym EDM, and draws inspiration from musique concrete to Daft Punk. DJ Mag has a pint with him in a grimy North London boozer to learn more...

Boys Noize opines on following true love, searching for the perfect sound, meeting Skrillex and Deadmau5, and having a strange relationship with melody...

In Germany towards the end of the nineties, Berlin was synonymous with hard-edged techno sounds but Hamburg was flying the flag for a more traditional flavour of house music. So the young Alex Ridha grew up surrounded by influences from Detroit and Chicago, which provided the fuel for a serious life-long vinyl addiction.

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

on a ragga tip xl recordings

Lifting the vocals from Jah Screechy’s reggae standard 'Walk & Skank’, SL2’s‘On A Ragga Tip’ surfed the hardcore rave wave at the turn of the 1990s before crossing over to bring breakbeats and bass into the pop charts. The track has transcended genres and styles to stand alone as an enduring dance classic. Joe Roberts calls up Slipmatt, aka Matt Nelson — the ’S’ in SL2 — to learn its story

‘Ey ey ba day ba wadladie day’ The opening lyrics to SL2’s ‘On A Ragga Tip’ immediately come up when you type its title into...

Two pictures side by side. On the left, the Eldorado Auto Skooter sound system. On the right, some of its bumper cars

An iconic 1970s soundsystem lives on inside a Coney Island attraction. Vivian Host catches up with sound engineer Dan Prosseda about the magical speaker stacks of the Eldorado Auto Skooter bumper cars

Most of New York’s revered club soundsystems of the ‘70s and ‘80s are long gone, as are many of the men who built them. Richard...

DiY sound system

Throughout the ’90s, the DiY Sound System put on countless free events, ran a recording studio and two record labels, and took their hedonistic parties around the world. Here, Harold Heath speaks to co-founder Harry Harrison about his new book, Dreaming in Yellow: The Story of the DiY Sound System, and the collective's trailblazing legacy in the free party movement

The origins of DiY Sound System date back to a mid-‘80s England that was a very different place to how it is in 2022. In...

After a devastating accident, musician Dax Pierson spent years rehabilitating himself, and working towards a hyper-personal sound. With his latest album, ‘Nerve Bumps (A Queer...

Deep in the manzanita-studded woodlands of Northern California, there’s a scenic resort where gold miners once bathed in restorative mineral springs, and queer hippies sought...

UK label Champion Records is celebrating its 35th year with a series of remixes of classic releases. The label's best-known hit is Robin S' ‘Show...

It starts with a cymbal crash, a bumpy house beat and a prominent, punchy snare. There’s a gnarly, low synth stab that plays a simple...

‘Pills ’N’ Thrills And Bellyaches’ header

Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era

Baggy/Madchester (the terms are largely interchangeable) is one of the most globally under-appreciated musical genres to have ever emerged from the UK’s musical underground. And...

Irish DJ, producer and label owner Krystal Klear is flying high on the success of his disco epic ‘Neutron Dance’. We meet him in NYC...

Since moving to New York just over a year ago, Krystal Klear’s creativity, passion and vision is stronger than ever. The Irish DJ, producer and label...

The latest and greatest DJs and producers rising to top this month. From tough techno and sun baked house to icy UK rap, breaks and...

Currently based in London, ohmydais has been cutting her teeth on radio via her monthly residency on Threads, building a plethora of shows that are...

He's working with Mos Def and nu skool Detroit cat Kyle Hall, amongst others, and funkin’ floors everywhere...

For years, Steven Julien, aka FunkinEven, didn’t think the music he was making was good enough to release. Then he met Sam Shepherd, aka Floating Points...

London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.

“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”