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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Panorama Bar regular Gabrielle Kwarteng spotlights jacking and enchanting house tracks for the dancefloor

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

After eight seasons at DC-10 in Ibiza and two lost to the pandemic, Jamie Jones makes his grand return to Ibiza this summer, and is moving his flagship party, Paradise, to Amnesia Ibiza. For his DJ Mag cover feature, Anna Wall speaks to the Hot Creations boss about coming up in the East London after-hours scene, mentorship, and becoming a dad