Hiroko Yamamura is often referred to as a cult figure and leader of the underground in Chicago, among many other deserved accolades. However, the longtime...
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Whether you’ve encountered her genre-blurring DJ sets, top class productions, or the hilarious deadpan memes of her Instagram page, there’s a good chance Hiroko Yamamura has brightened up your day at some point. Alongside her On Cue mix, the humble Midwest legend speaks to Zara Wladawsky about her come up in Chicago, the benefits of being an introvert, and how anybody can be a DJ
Detroit-born, Atlanta-based Ash Lauryn is a digger in the truest sense, repping a soulful, classic house sound in her sets and helping preserve and bring back to the fore the Black roots of electronic music through her Underground & Black project. She speaks to Ria Hylton about discovering her passion and making the most of opportunities
Released on Tresor in 1992, Jeff Mills' debut LP ‘Waveform Transmission Vol. 1’ is a record that stands for repetition and filth, forged from wrought steel and imbued with scuffed-up funk. Here, 30 years after its release, Ben Cardew takes a deep dive into the sound, origins and legacy of an album that birthed a new breed of techno
Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far
Turntablist and producer Jon1st delivers his annual end of year megamix via the On Cue series: a tempo-shifting set of hyped-up breaks, turbo-charged drum &...
Gorillaz’ 2001 self-titled debut laid the foundations for Damon Albarn and Jamie Hewlett’s animated outfit. With a rotating cast of collaborators and a genre-merging style...
The Magic City has a long history of homegrown styles that demand attention. Chief amongst these is Miami bass: a rough and tough blend of electro, hip-hop...
Having experienced natural disasters and political uncertainties, a group of young Nepalese artists and organisers are looking to re-create an electronic music scene of their...
DJing around the world, working on your debut album for Ninja Tune, and completing a Masters degree would be hard work for most people —...
House and disco infiltrator and Love on the Rocks label innovator Paramida steps up with a deliriously fun mix for her DJ Mag Podcast –...
For a person who once referred to herself as “Berlin’s most hated”, Paramida seems to be getting on just fine. As head honcho at the...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
TYGAPAW makes music with a message of liberation, and of working toward a world where everyone is free to be true to themselves. It also happens to be music that slams. Bruce Tantum meets the Brooklyn-based artist to learn about their long journey to get to where they are now, and the road ahead