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House cat Huxley clinches the producer prize after a stellar debut album...

It is fitting that Huxley has been made to wait for our coveted Best Producer award until this year. You could argue that the Tring...

Gear up for Getter’s GNARtillery tour

An abstract herald of underground bass culture, Getter has been taking over stages across the US since 2010, beginning his DJ career at 17. Today...

Download a free mix from Birmingham’s house DJ on the rise

It's been a dramatic rise for Birmingham house music lover, Arun Verone. Having started making various forms of UKG over a decade ago, it was...

Love Saves The Day Festival

Can Bristol's city festival bring back the sun and smiles? In the company of Bicep, Seth Troxler and Shy FX, among others, you bet...


The XX curated UK fest

With skies as gloomy as their tunes, The xx took to Hatfield House for a not-so-XXL day festival...

Skrillex & Boys Noize favoured plug in

Every now and then, a plug-in just slips under the radar. Released last year, Sugar Bytes' Cyclop came recommended by the likes of Skrillex and Boys Noize, to name just a couple of heavyweight users. But those endorsements were likely to deter as many producers as they attracted (and with the same level of conviction), so perhaps it's understandably taken a while for producers in other genres to catch on.

Acid house hero and dancehall spitter is back and firin'!

One of the most distinctive voices in UK electronic music, Feral Is Kinky is the latest persona for MC Kinky, aka Cantankerous, aka Feral, aka The Infidel — or Caron Geary to her sister.

What could the demise of HMV mean for dance music?

Darius Syrossian arguing that truly dedicated record buyers, those with an eye for specialist vinyl – house, techno, d&b, breaks etc – shouldn't lament the downfall of a corporate chain such as HMV raises some interesting questions.

At what point did remixing mainstream pop rubbish become acceptable?

Don't get DJ Mag wrong, there's been a long tradition of the remix as a credibility boost in the music industry. Back in the day, from the late '80s and the first crossover of house music onwards, dire popstrels of the ilk of Simply Red and the Spice Girls (or rather their record companies) would be queuing up for a taste of authentic dance flavour, getting cool names to remix their tracks in order to boost sales of 12”s.

Eats Everything

He might be able to knock out badass tunes, but Bristol boy Eats Everything is, in his heart, a DJ first and foremost (or husband if his new wife is reading!). What’s more, the man born Daniel Pearce has been doing it for exactly 20 years now, having gotten his first decks for Christmas back in 1992.

DJ Mag loses its mind at a hotel complex eight miles outside of Middlesborough at Goodgreef

“Here's Johnny!” growls a demented Jack Nicholson in what's considered, in this correspondent’s mind anyway, the most psychologically disturbing film ever made. Nope, we haven't...

BRIGHTON ROCKS! Digital’s seaside operation goes from strength-to-strength

“The club that is now Digital Brighton used to be called The Zap,” remembers owner Dave Stone.  “It was the first place I ever went...

On reaching number one and more

From the early days of Bad Company, co-founding Dogs On Acid and record label BC Recordings, to hitting the number one spot in...

A Man For All Seasons - Kieran Hebden comes in from the margins

2010 was the year that things changed for Kieran Hebden. Once the undisputed poster boy for the leftfield electronic scene, he flipped expectations in January...

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