25 years ago today, Daft Punk graduated into the hottest electronic act on earth. If you gave every would-be student of dance music a starter...
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At the centre of Daft Punk’s world-beating debut album lay a tribute to the architects of dance music, titled ‘Teachers’. With the help of Neil...
On his debut album, 'What I Breathe', Aussie-born, London-based DJ and producer Mall Grab marks a new creative chapter in his journey, far from the lo-fi house sound that shot him into the spotlight in 2015. Filled with grime and jungle influences, tracks featuring Novelist, D Double E, Nia Archives and Turnstile's Brendan Yates, as well as his own vocals, it's his most ambitious work to date. Here, Kristan Caryl chats to him about ADHD, being an outsider, dogs, style, hardcore and more
Throughout the pandemic, grassroots activists and nightlife representatives have worked tirelessly to create a more sustainable, accessible and protected environment for dance music. DJ Mag...
Paranoid London are on a mission to bring back the rawness of old house, with their skeletal acid tracks and Chicago-influenced beats. We head to...
The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity
In this month’s Meet The MC, DJ Mag’s Amy Fielding speaks with rising Norwich rapper, Darri T, about his impressive debut album, the importance of honesty in songwriting, and his everlasting love for the UK’s rap scene
Milan-based producer and DJ Piezo has spent the past decade refining his meticulously mutated strain of club music, with releases appearing on lauded labels such as Wisdom Teeth and Nervous Horizon. Alongside a head-spinning Recognise mix, he tells Christian Eede about his early days in the Italian freetekno rave scene, formative years in Bristol, and the global sound palette of his Ansia label’s latest compilation
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
UK drill videos have played a crucial role in the sound's meteoric rise, with platforms like Mixtape Madness, Link Up TV, SBTV, and Pressplay Media...
Ron Trent has a deep understanding of electronic music. Beginning his production career in his teens, the venerated Chicago resident has travelled through techno, deep house and Afro house over the years. His latest album ‘WARM: What Do The Stars Say To You’, produced with a live band, demonstrates the duality of his work: it’s futuristic and somehow ancient, cosmic and aquatic. DJ Mag's Ria Hylton catches up with the Chicago house legend to learn more
Ben Cardew looks back at how Louie Vega and Kenny “Dope” Gonzalez’s rapturous 1997 homage to their musical roots
Few countries have been as devastated by Covid-19 as India, with recent studies estimating that the death toll has likely exceeded three million, more than...
As venues begin to reopen in England, there are also a plethora of electronic music event spaces launching. Martin Guttridge-Hewitt spotlights 10 new UK clubs...
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today