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As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after...

It’s been four months since COVID-19 sent dancers into deep freeze. With no sign of a vaccine, the suspicion is that clubs will stay closed...

The DJ/producer takes us on a tour of his hometown and nearby Doncaster, and tells DJ Mag how they’ve influenced his music and work ethic...

Ryan Aitchison is stood outside his childhood home in Woodlands, a former “pit village” three miles north of Doncaster, casually posing for pictures. The house...

We show you how to stream your DJ sets – with high quality audio – using your phone and computer 

While live streaming DJs is nothing new – we've been doing it since 2013 — as the world goes on lockdown more and more DJs...

Video game live streaming platform Twitch has become an increasingly valuable way for electronic musicians to connect with their fans. Cherie Hu investigates the synergy...

As the global live streaming market for games generates an estimated $5bn a year, several tech corporations are fi ghting to claim their share of...

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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...

Photo of Eamon Harkin and Justin Carter DJing sitting on a green sofa in a pink-lit warehouse

In early 2009, Eamon Harkin and Justin Carter launched Mister Saturday Night. The party formed the roots of what would eventually become the beloved nightspot Nowadays, a “by us, for us” club that’s become a community hub for NYC’s nightlifers. Following the release of a sprawling box-set to mark the party’s 15th anniversary, and alongside a mix recorded live from the club, Harkin, Carter and a few of the compilation’s featured artists fill us in on what makes Mister Saturday Night so special

It began, as many projects do, because of a nagging discontent with the way that things were. It was the late ’00s, and New York...

During a year decimated by lockdowns and venue closures, our need for sonic connection has sparked the resurgence of independent radio across the UK. Here...

16th March 2021 marks the grim one-year anniversary of Matt Hancock’s statement to the House Of Commons that all “unnecessary social contact” across the UK...

Audio-visual artists have always played a vital role in shaping the distinctive aesthetic identity of electronic music. In the evolution of analogue slide projectors to...

@smithandlyallAdam Smith & Marcus Lyall are the London based creative duo behind The Chemical Brothers’ live shows and music videos, combining digital methods with real-life...

DJ Mag follows the Numbers boss from Glasgow to Glasto to hear about his unstoppable rise....

Jackmaster has hit the big league in recent times. The DJ who started out in Glasgow has now made a name for himself worldwide, yet...

He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’

The collar that Martin Joseph Léonard Bresso dons while performing on stage as Tchami is a meaningful accessory. It is symbolic of the spirituality he’s...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

We meet futurist techno maestro Richie Hawtin for our ADE issue...

Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...

Photo of Sara Landry wearing a black catsuit and eye make-up

If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge

There’s a curious birthmark near the top of Sara Landry’s shoulder blade. The origin story behind its scar-like shape is even stranger still. “This is...

We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...

This was the year many dance music scenes, industries and communities started to claw back everything that was lost in 2020. Elusive and secretive UK...