It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...
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Tom Trago - one of Amsterdam's freshest underground house and techno producers - recommends the coolest new artists breaking through and putting the Dam firmly...
It's no secret that Amsterdam is a great music city, particularly where dance music is concerned. Host to a rich mix of hip and legendary...
Massive Sandsystem!
DJ Mag finds itself in a desert, 200km from the nearest city and surrounded by enormous soundsystems for Monegros Festival, but is the music as far out as the location?
Steve Aoki is the EDM superstar that fans adore and haters love to hate.
He’s built a musical empire on DiY ethics, hard work, punk rock drive and lots and lots of cakes. As he prepares to headline the...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
South African house DJ and producer Themba has become a global star in recent years. Alongside a mix of thumping and emotive house for the On Cue series, Kristan J Caryl chats to him about his childhood obsession with collecting music, his ambitious 2021 album ‘Modern Africa Volume 1 (Ekhaya)’, and uplifting African artists around him
An intimate look at the bass wizard behind Flux Pavilion reveals a magnetic soul who uses his feelings as a force to drive his creations
Flux Pavilion is a man in touch with his feelings. He prefers love over hate, chords over kick drums, and wants desperately to play for...
DJ Mag investigates the cynical money-making practice of digital music piracy...
Music piracy used to be a bit of home-taping of the Top 40 chart off the radio, or some guys selling illegal live bootleg tapes...
DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?
J Dilla changed music with his unique production style and wonky beat patterns. Ahead of an expansive new book on his life and art, Marke Bieschke talks to author Dan Charnas about the enigmatic artist’s impact
The latest version of the popular DJ software makes bold claims around stem separation. But does it actually work?
<p>A dance fest on every weekend this summer, we've picked the best of the bunch...</p>
Festival season is finally here! Meaning UK clubbers can enjoy a large-scale outdoor dance event without having to jet to Mexico, Miami or Goa —...
Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.
It's the most wonderful time of the year – whether you're treating yourself or looking for the perfect gift for someone else, we've got you...
Sexual harassment is a widespread problem that remains prevalent in our supposedly progressive dance music scene. A number of new initiatives have proposed a solution...
In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...
On the history of dubstep and 'Fabriclive 61'...
Pinch, aka Rob Ellis, boss of the trail-blazing Tectonic Records, is one of a few heads in a unique position to dissect the...