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Streaming has come to dominate the music industry, but when it comes to actually earning money from plays, the electronic music community has been somewhat...

Streaming is everywhere. Earlier this year, Spotify announced that it has 217 million users, more than 100 million of which are paid subscribers. They’re followed...

Science fiction has long been a muse for techno producers, but three acts – Lost Souls Saturn, Mat Playford and A Sagittariun – are taking...

"It wasn’t designed to be dance music, it was designed to be a futurist statement.” So said Jeff Mills on the subject of techno back...

A new crop of charity record labels has sprung up in the UK and France, donating their entire profitshare to worthy causes, and fighting poverty and inequality in...

Despite austerity hitting all but the most affluent, charity giving continues to rise. According to the Charities Aid Foundation’s annualUK Giving Study, British people donated a whopping £10.3bn to charity in 2017...

As exam boards start to include DJing as part of their music GCSE, DJ Mag sent some legends of the artform back to school, and put...

Late for the school bus, boring assembly, double maths, a quick gossip or kickabout at lunch — followed by a music lesson playing banging techno...

Once focused on the techno of Detroit, Joris Voorn’s latter-day productions have conquered his native Holland, Ibiza and the world. While some have accused him...

From a devotee of Detroit to becoming the leading light of the Dutch underground scene, Joris Voorn’s ascent has been as methodical and measured as...

With Marc Romboy, Jules Buckley, Max Richter, Carl Craig and more...

At first glance, we’re led to believe that the worlds of classical and electronic music are galaxies apart. But there are more parallels and crossovers...

If anyone is dance music's renaissance man, it's Detroit's Seth Troxler. There's a lot more to Seth than his hedonistic image might suggest, as DJ...

Still bleary-eyed after a night DJing to hundreds who braved freezing January weather to hear him spin on a Wednesday evening in Bristol, Seth Troxler...

A shot from AUDRA festival in Kaunas featuring Caterina Barbieri's synth performance in a tower-like hall

From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders

Pergalė is a sprawling industrial complex in a forgotten corner of central Kaunas, Lithuania’s modest-sized second city. A gated entrance obscures interior yards from view...

One of the world’s most respected clubs, Berlin’s Tresor, has been at the forefront of underground dance music for three decades. Led by Dimitri Hegemann...

Interfisching in outer space: the Dada yearsDimitri Hegemann wanted to change the world. His ideas were too big for the small village he grew up...

One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...

Seth Troxler’s reputation is such that he’s on first-name basis with the whole of electronic music. He’s put himself out there — often literally —...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

How the global boom of African music is resonating with electronic artists in the diaspora

It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?

In the early 2000s, there was a small, unassuming stall on the second floor balcony of Kampala’s Bugolobi market. Stocked with computers, scanners and other...

The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...

Ever since the late 1980s, UK dance music’s interactions with politicians, police officers and mainstream public opinion have been defined by suspicion, misunderstanding or outright...

The centre of the clubbing universe, for such a little minx Ibiza certainly packs a lot of entertainment into its 571 square kilometers. Clubs, cave...


1. You can't leave Ibiza without losing your marbles at least once in Space and there's no better time or place than with We Love...

2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...

Some years stand out for the bangers they produced, for the adrenaline-shot belters that shook festivals and club floors night after night, and never felt...