There’s lots of smiles and laughter when DJ Mag speaks to Alysha Fleiter, and the 34-year-old Australia born, newly Italy-based DJ and producer certainly has...
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UK label Scuffed Recordings has earned its reputable status with a roster of artists producing tactile, club-focused beats. As it expands further into live events...
We pick the brains of the Berlin-based tech producer, TJ Hertz...
Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...
Italy-based, Australia-born DJ and producer Nite Fleit has made her name with tough-as-nails electro, but her recently-released debut album reveals a more emotional side. Alongside a storming mix for the Recognise series, she speaks to Claire Francis about her formative years in Melbourne, her natural flair for DJing, and how making music helps with her ADHD
With its on-the-pulse line-ups, great sound and inclusive atmosphere, Gonzo's Two Room is making Norwich a dance music destination. Here Ben Murphy heads to the club, and chats to its team, to learn what makes it so special
The latest version of the popular DJ software makes bold claims around stem separation. But does it actually work?
Battling cultural stereotypes and lazy genre misnomers, a core set of Mexican artists, based around the NAAFI label and party series, are reshaping the hybrid...
In his new book, Lance Scott Walker tells the story of DJ Screw, the maestro of Houston’s chopped ‘n’ screwed ‘90s rap scene. Here, Marke Bieschke speaks to the author about this unique moment in hip-hop history, and Screw's incredible legacy
Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'
First released in 2012, Donato Dozzy and Neel’s groundbreaking self-titled album as Voices From The Lake changed the landscape of ambient techno, and set a new course for minimalist electronic music. Rob McCallum learns how the ripple effects of its legacy are still being felt like a pulsating torrent today
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today