In its fourth incarnation, delayed two years due to the pandemic, this year’s Whole: United Queer Festival is the hot ticket for LGBTQ+ folks from...
Search
Results for: pandemic
This year’s Whole Festival marked the biggest underground electronic music-focused queer festival on the planet, bringing together LGBTQ+ collectives, artists and ravers from around the globe. Marke Bieschke heads to Germany to find out how Whole has created a world of its own
Last month, 16,000 ravers attended Belfast's AVA Festival at its new home on the Titanic Slipways. DJ Mag traveled to AVA to discover how the event is creating a sense of unity, community and a second wave of rave in the city
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
A new photography book, Drumz Of The South: The Dubstep Years 2004-2007 captures the early years of dubstep, depicting an important cultural moment in UK musical history. Charlie Bird talks to photographer Georgina Cook about the invention and excitement of the time, the influence of South London, and how that moment is influencing a new generation
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
An On Bast is a multi-talented Polish producer and live artist who creates exquisite astral techno on modular hardware. Her recent album, ‘I Create As...
In DJ Mag's April music columns, Joe Roberts, Carl Loben, Shiba Melissa Mazaza and Layla Marino spotlight topical sounds from around the world
DJ Mag speaks to Young Urban Arts Foundation about their vital work using music and the arts to help young people from hard-to-reach areas
After reflecting on how we can tackle the issues within the electronic music industry as a publication, we deliver our pledge to you, presenting significant...
New world order
Glastonbury isn't a festival, it's a settlement. Twice the size of Bath, it's more like a refugee camp for society's arty and most liberal than...
Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
Photographer Stuart Linden Rhodes, known mononymously Linden, spent the ‘90s capturing the queer clubbing scene in the north of England on his camera. Now his...
DJ Mag's digital tech editor rounds up the best Christmas gifts for DJs and producers in 2021. Whether it's for yourself, a partner, a family...