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He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’

The collar that Martin Joseph Léonard Bresso dons while performing on stage as Tchami is a meaningful accessory. It is symbolic of the spirituality he’s...

It’s true that house music would still exist if Marshall Jefferson hadn’t been around to guide it — but it’s equally correct to say that without Jefferson...

Memories fade over time, and what memories remain become more and more shaded by personal experiences and personal interests. That helps to explain, in part...

Is wealth and privilege damaging British dance music, and if so, what should we do about it?

WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein

Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...

Detroit-raised polymath Jimmy Edgar has always stood out as an artist of out-there brilliance. But since starting Ultramajic, alongside Machinedrum and Pilar Zeta, he’s manifested...

"The universe is all about creativity, it's all about learning, it's all about knowledge," Jimmy Edgar ventures when we sit down to talk about Ultramajic...

TWO DAYS OF EPIC PARTYING

I had to pinch myself twice just to be certain it wasn’t a dream. See, if you love dance music the way I love dance...

Photo of Eamon Harkin and Justin Carter DJing sitting on a green sofa in a pink-lit warehouse

In early 2009, Eamon Harkin and Justin Carter launched Mister Saturday Night. The party formed the roots of what would eventually become the beloved nightspot Nowadays, a “by us, for us” club that’s become a community hub for NYC’s nightlifers. Following the release of a sprawling box-set to mark the party’s 15th anniversary, and alongside a mix recorded live from the club, Harkin, Carter and a few of the compilation’s featured artists fill us in on what makes Mister Saturday Night so special

It began, as many projects do, because of a nagging discontent with the way that things were. It was the late ’00s, and New York...

Photo of a ravers at a free party in a tunnel

Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning

The quest is timeless. Swapping clues with randoms at services. The heartless pulse of the party-line’s engaged tone. The convoys, intrigue, suspense, rumours. The commitment...

Tony De Vit DJing. He's wearing an orange sweater with his left harm held high over his head, with a big smile on his face.

Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced

In case you hadn’t noticed, hard house is back. Though for some, like the ill behaviour, it never went away. A new generation of DJs...

How the global boom of African music is resonating with electronic artists in the diaspora

It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?

In the early 2000s, there was a small, unassuming stall on the second floor balcony of Kampala’s Bugolobi market. Stocked with computers, scanners and other...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...

From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...

Floating Bstrd is the illustration guise of Marko Vuleta-Djukanov, the Serbian artist who rose to prominence with work for the likes of Vladimir Ivkovic, Lena...

Stefan Kozalla is many things to many people: co-owner of an acclaimed label, production enigma and true free spirit. DJ Mag caught up with him...

It makes sense that DJ Mag has landed in Barcelona to meet DJ Koze. It’s a city where the abstract and traditional happily co-exist, where...

Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone. 

Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...

Dance music's renaissance man graces the cover of DJ Mag USA...

From new ventures in live performance to reunions with Digweed, fresh collaborations to the birth of a baby, the godfather of progressive is busy building...

Who are the most exciting Ram acts now? We delve deeper into the world of Ram...

WILKINSON
29,200 Twitter followers, 126,569 Facebook fans and charting at No.8 in the UK Official Top 40, Wilkinson is big news, but it hasn't always...