The music of Francis Harris and Anthony Collins seems, on one level, to exist in a world of their own making. Working together as Frank...
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Abode is the Sunday party at Studio 338 getting London clubbers out the house...
Launched in September with Dyed Soundorom, Audiofly and wAFF, Abode is Studio338's new party, bringing big-scale daytime raving back to London. Rather than bringing after-hours...
Generations of love!
Anyone who has spent too much time lurking around studios will be familiar with the distinctive yellow and black design of KRK speakers and will...
Techno at Caprices Festival, Crans Montana, Switzerland...
There’s not much that isn’t clean about Switzerland, perhaps except for the graffiti. From our SWISS flights, to the Sierre-bound SBB railway journey (for information...
Phase Two of BPM Mexico 2012 announced
Scoping the online catalogue of photos on the BPM website — of buxom bikini babes by a pool, bare-chested lads in sunhats stomping under palm...
A real case of work hard / play hard as DJmag heads to Amsterdam for the annual Amsterdam Dance Event!
Amsterdam – Europe's liberal experiment – a place where culture and beauty sit beside decadence and desire. Where the buildings loom peerlessly above the multiple...
Out of club music’s modern-day practitioners, few go deeper than Francis Harris and Anthony Collins. Producing under the Frank & Tony banner, working in the grand tradition of the sound’s pioneers, the duo has just released ‘Ethos’, their first long-player since 2014’s ‘You Go Girl’. Here, they speak to Bruce Tantum about their creative partnership, the uniting power of the house groove, and melancholic beauty of everyday life
Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’
Houghton Festival returned for the first time in four years earlier this month after surviving against the odds. DJ Mag’s Rob McCallum steps into curator Craig Richards’ musical world to rediscover a meticulously programmed audio/visual masterpiece
Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork
Most DJs love playing festivals, but what should you do when you’re asked to play one for free, and even cover certain costs yourself? Ria Hylton speaks to DJs Sheba Q, Harold Heath, Charlie Dark and others, along with festival organisers, to find out
Though a clear reflection of his taste in music, Newcastle’s Me Me Me label isn’t all about its founder, Man Power. Alongside a mix from its hard-to-define and easy-to-love catalogue, the DJ and producer tells Kristan J Caryl about the imprint’s focus on bringing artists together
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, Glasgow-born, Copenhagen-based Solid...
Clubbing has a rocky history with being portrayed on the big screen. Those that get it right are a timeless snapshot of dancefloor experiences, whilst...
The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced
The new updated version of the RISE was teased in February this year