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Cover Features

Adam Beyer: Techno's uncompromising kingpin

Adam Beyer is one of the biggest names in techno, renowned as much for his DJ sets as his highly successful Drumcode record label. Ahead...

“I was quite angry as a teenager,” Adam Beyer says. We’re sitting across from the Swedish DJ in his Ibiza home, talking about the death...

Features

The Sound Of: Critical Music

As the underground drum & bass label celebrates its 20th anniversary, Critical Music founder Kasra records a breakneck mix of tracks from its catalogue, and chats to Jake Hirst about the imprint’s history and constant evolution

“I started the label as a hobby and didn’t know where it would take me. So when I look back and think about everything we’ve...

Features

Plastikman's 'Consumed' remains a masterclass in dark, minimalist techno

Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork

When first encountering ‘Consumed,’ Richie Hawtin’s third studio album under the Plastikman name, a normal reaction might be like that of the prehistoric hominids in...

Features

Miami 2022: QRTR brings her psychedelic club sound to South Beach

On her new album, ‘infina ad nausea’, Brooklyn's QRTR blends multi-layered melodies with club-ready beats, from house and techno to UKG and jungle. Ahead of her set at DJ Mag's Miami Pool Party this week, she chats to Ben Murphy about her distinctively trippy sound, her famous feline friend, ambientkitty, and the busy festival season ahead of her

“I feel very comfortable drawing from a lot of different influences, and don’t feel like I need to box myself into something necessarily,” says Meagan...

Features

Dance Yrself Green: can clubbing generate renewable energy?

Emerging technology, BODYHEAT, promises to make clubs more carbon neutral. Sophie Lou Wilson speaks to those behind it, the first club to trial it (SWG3 Glasgow), and others about how it works, as well as its potential and limits

Fifteen minutes’ walk from the site of the 2021 UN Climate Change Conference, there’s a nightclub. SWG3 is an independent venue that has put on...

Solid Gold - Chemical Brothers 'Come With Us'

Features

How The Chemical Brothers' ‘Come With Us’ reconnected the duo with the dancefloor

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...

Features

How Rui Da Silva’s progressive house hit ‘Touch Me ft. Cassandra’ broke the pop mould

Twenty years after it first lit up dancefloors around the world, Rui Da Silva and Cassandra Fox's No. 1 hit ‘Touch Me’ is transcending generations...

The UK chart’s first No. 1 single of 1981 was the saccharine ‘There’s No One Quite Like Grandma’; in 1991, it was Iron Maiden’s turbo-charged...

Opinion

Chris Inperspective: Black people should own Black art

Following his viral Facebook videos calling out Hospital Records for their part in the whitewashing of the drum & bass scene, founder of the Black...

This whole situation with me saying all this stuff about Hospital Records, and about the jungle scene at large, is pretty mad. A lot of...

Features

How Tidy Trax embodies the loud, proud spirit of Northern hard house

The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...

“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...