Throughout 2020, like so many others, Dego spent months stuck at home. Unable to commit to his normal routine of studio time, he found himself...
Search
Results for: selection
From his foundational work in drum & bass and jungle as part of 4hero and Reinforced Records, to his myriad production aliases and ongoing work...
During a year decimated by lockdowns and venue closures, our need for sonic connection has sparked the resurgence of independent radio across the UK. Here...
Streaming has come to dominate the music industry, but when it comes to actually earning money from plays, the electronic music community has been somewhat...
We shine a light on the names destined to have it large this year...
Last year was the one of many highs and lows. From Brexit to the return of breaks, it had moments to forget and plenty to...
We meet the Italian techno don face-to-face in Barcelona...
Joseph Capriati is the rapidly-rising Italian techno star who's broadened his sound out for Ibiza to inject more groove into it. Leaving behind the Music...
During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
In a few short years, UK drill has changed significantly. After a small number of producers that pioneered the sound left indelible marks on its...
We show you how to stream your DJ sets – with high quality audio – using your phone and computer
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
A new crop of charity record labels has sprung up in the UK and France, donating their entire profitshare to worthy causes, and fighting poverty and inequality in...
Despite austerity hitting all but the most affluent, charity giving continues to rise. According to the Charities Aid Foundation’s annualUK Giving Study, British people donated a whopping £10.3bn to charity in 2017...
Is being fit and healthy mutually exclusive from the hedonistic world of dance music? Or can exercise and late-night club culture happily co-exist? DJ Mag...
DJ culture has long been synonymous with a lively hedonistic lifestyle: late boozy nights, early mornings, days and weeks touring on the road — a...
The evolution of Porter Robinson has been filled with constant transformations throughout the years. The beloved producer once again abandons the sounds that made him...
Porter Robinson opens his mouth and words come pouring out at a mile a minute. When the North Carolina wunderkind is excited, like he is...
We catch up to find out all about his new project...
Carl Craig, one of the most important artists in techno, has been working with an orchestra to breathe new life into some of his back...
After eight seasons at DC-10 in Ibiza and two lost to the pandemic, Jamie Jones makes his grand return to Ibiza this summer, and is moving his flagship party, Paradise, to Amnesia Ibiza. For his DJ Mag cover feature, Anna Wall speaks to the Hot Creations boss about coming up in the East London after-hours scene, mentorship, and becoming a dad
After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves