Streaming is everywhere. Earlier this year, Spotify announced that it has 217 million users, more than 100 million of which are paid subscribers. They’re followed...
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DJmag.com investigates the possibility of a rock revolution in Ibiza, the summer heartbeat of the dance industry.
Cast your minds back to when you were at school, and in particular the unwrittenplayground rules that demanded you choose between becoming a Raver or...
The Norwegian duo talk us through their million-selling debut LP for Wall Of Sound
How a largely instrumental album by an unknown Norwegian duo became a word-of-mouth million-selling sensation at the start of the decade, thanks to some unique...
We pick the brains of the Berlin-based tech producer, TJ Hertz...
Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...
We catch up Fatima to talk about the theme behind the album, her musical roots, and more...
Fatima Al Qadiri is as difficult to classify as her vast productions. She could simultaneously be deemed a visual artist, academic instigator, journalist (as a...
We catch up with Ashley to learn about his DJ roots, new 'Yardism' solo project and more...
Ashley Beedle is a don. In a time when the dance world is riddled with superstar DJs, touting supersized egos, and bitching like babies at...
An insight into house sophistication
Nick Wilson is an inveterate crate-digger. There's little he enjoys more than delving in the dusty racks of record emporiums to unearth rich seams of...
London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.
“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”
Magda talks women in dance music, new event series PERM and her just-launched tequila brand...
Words: DANI DEAHL Pics: CORNELIA THONHAUSER & LEANDRO QUINTERO
Features
Streaming has come to dominate the music industry, but when it comes to actually earning money from plays, the electronic music community has been somewhat...
Cover Features
Renowned DJ/producer Tom Middleton, who is now a sleep science coach too, shares his knowledge on how important sleep is to our mental health —...
Features
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, ahead of Dialled In festival, Daytimers’ Gracie T spotlights breakthrough sounds from the new South Asian underground
Launched as a way of supporting artists and labels impacted through the coronavirus pandemic, DJ Mag started a weekly roundup of the most vital Bandcamp...
Features
In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene
Features
Released on Tresor in 1992, Jeff Mills' debut LP ‘Waveform Transmission Vol. 1’ is a record that stands for repetition and filth, forged from wrought steel and imbued with scuffed-up funk. Here, 30 years after its release, Ben Cardew takes a deep dive into the sound, origins and legacy of an album that birthed a new breed of techno