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AVA Festival shot from above

Last month, 16,000 ravers attended Belfast's AVA Festival at its new home on the Titanic Slipways. DJ Mag traveled to AVA to discover how the event is creating a sense of unity, community and a second wave of rave in the city

In 2015, Belfast’s first AVA Festival and conference found its home beneath the towering yellow Harland & Wolff cranes — affectionately named Samson and Goliath...

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019 

Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...

The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced

This year marked the 13th edition of DJ Mag's Best Of British awards, our annual celebration of UK talent. Positioned as a counter-balance to the...

Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...

This is the fourth year that DJ Mag has presented the Alternative Top 100 DJs list in association with Beatport. In 2021, the genres included...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Before his death in 1982, Patrick Cowley produced some of the American gay underground's most thrilling dance music, from chart-topping disco to radical club tracks...

There’s a notorious scene in 1980 thriller Cruising that might be the best fictional time capsule we have of a wanton, unfettered gay dance floor...

Three decades of Trade: celebrating 30 years of boundary breaking LGBTQ+ raving

The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy

It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...

Seoul’s Closet Yi records a cosmic mix of propulsive prog house, dreamstate techno and electro for the Fresh Kicks series, and chats to Eoin Murray...

Born in Jamaica around half a century ago, dancehall music has found fans, artists and chart-topping success all around the globe in the decades since...

Dancehall music has been the driving force in my career. As a DJ, I’ve played most if not all genres of music on radio and...

Putting on parties demands optimism even at the best of times. After an unimaginable 20 months, the limits of hope continue to be tested. Will...

Joshu Doherty has been putting on parties for nearly 15 years, but it’s never been this difficult. “The last five months,” he says, “have been...

After a devastating accident, musician Dax Pierson spent years rehabilitating himself, and working towards a hyper-personal sound. With his latest album, ‘Nerve Bumps (A Queer...

Deep in the manzanita-studded woodlands of Northern California, there’s a scenic resort where gold miners once bathed in restorative mineral springs, and queer hippies sought...

Photo of RIOT CODE wearing a blank tank top in a dark room, with a large beam of light shining around him from the back

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...

DJ Mag Tech reviews the AIAIAI TMA-2 Wireless+, which sees the headphone giant team up with Richie Hawtin to deliver the “world’s first” dedicated wireless...

AIAIAI has been at the forefront of headphone design since 2010. They first came to prominence with their modular approach, where the user can spec...

In DJ Mag's March artist charts, four DJs select their top 10 tracks of the month, spanning moody jungle, '90s acid, classic reggae and dubby...

UK trio Denham Audio have entrenched themselves at the front of the new wave of breakbeat hardcore producers through a multitude of racuous cuts and...

Hooversound is the burgeoning UK club label run by SHERELLE and NAINA. As the much-hyped imprint celebrates its first release, prepares for the future, and...