“You might go to the same restaurant many times, but do you always order the same dish?” grins Iason Chronis, the artist most commonly known...
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Tong Scoops The Gong - Radio 1 mainstay is still the daddy
In this time of never-ending choices, the sheer volume of music and all its various mediums can at times be overwhelming and daunting to absorb...
There will also be a live Q&A as part of the workshop
Jamz Supernova, NAINA and Jaguar will take part in a DJ Mag live workshop on Instagram next week.
On Tuesday next week (13th), BBC Radio 1Xtra...
When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...
Oliver Heldens gets candid about his haters and evolving future house
The electronic world's most jet-lagged artists and their management teams adorned in the predictable head-to-toe black attire descend upon the artist mansion (aka fancy horse...
The Vinyl Factory investigates...
Istanbul has a thriving vinyl scene if you know where to look.
Luckily, The Vinyl Factory is here to help — they’ve crafted an excellent...
With inventive production and animated lyrics in Spanish and English giving unique takes on violence and, of course, weed, Cypress Hill's 1991 debut introduced them...
The collection is inspired by museum gift shops
Honey Dijon has launched a new collection of merchandise items on Etsy, with a focus on celebrating queer artists and artists of colour.
Dijon worked...
During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
From back-to-back travel and navigating unknown places, to the thrill of peak time raving and the low of the next day, touring DJs lead lives...
In the U.S. music fans are eagerly awaiting the safe return of clubs and festivals, but there are risks to consider before going back to...
The New York house icon keeps things un-censored...
Armand van Helden didn’t hold back when offering his perspective on the current expectations within DJ culture: “It’s all a no-brainer. They don’t have to...
Soon DJs will be able to stream millions of tracks directly to their software and hardware. DJ Mag explores the impact on DJing tech, creativity...
Imagine the scenario — you walk into the booth with nothing more than a pair of headphones, login with your username and password to the...
“This ain’t a track, it's a movement”: Mike Skinner and co. are back, and deliver a record-breaking night at Brixton Academy. DJ Mag’s Rob McCallum...
The Streets’ 2002 debut ‘Original Pirate Material’ is one of those rare records that has a story attached for everybody that grew up with it...
When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story