ANOTR are all about emotions. Enhancing them, recalling them, changing them, understanding them. Everything the Dutch duo do is intentional, produced to share how they’re...
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We pushed our minds and bodies to the limit during another week of WMC/Miami Music Week. From South Beach to Ultra, Diddy's party to downtown...
DAY ONE: WEDNESDAY
We kick off Miami Music Week 2014 with DJ Mag Poolside Sessions at our new Miami base — The Surfcomber on Collins...
Cover Features
Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of their appearance in Miami at the DJ Mag pool party, they tell Amy Fielding how risk-taking, open-mindedness and collaboration are at the heart of everything they do
Counting down the 2010s, we round-up the albums that defined the decade in electronic music
The creepy synth sounds of horror movie soundtracks by Goblin, Fabio Frizzi and John Carpenter have proven hugely influential on modern electronic music. DJ Mag...
But whilst these cheap horror films with their copious sex and violence might not have brought about the nation’s moral decay, they have wormed their...
Features
DJ Mag spoke to two of the scene’s icons about their takes on the scene in 2013, their manifold future plans, and the enduring spirit...
When DJ Mag enters a disused pub in south-east London’s Rotherhithe, we find LTJ Bukem has arrived early and is waiting patiently for us on a sofa in the pub’s old bar area. A true originator of drum & bass, Bukem, aka Danny Williamson, then throws himself into his part of the photo-shoot in a small, sparsely-lit room, which, much to everyone’s amusement, was once the gents’ toilets in the now-converted boozer.
Features
COVID-19 has rapidly impacted the music industry — leaving thousands out of work. The government dumbfounded many when it was suggested that those from an...
Sam Divine, Dennis Ferrer, Sonny Fodera...
When Simon Dunmore left his major label A&R job with AM:PM, the dance offshoot of A&M Records, to start his own independent dance label, even...
Features
Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era
We hook up with the Dutch teenage hotshot ahead of an appearance at Ultra in Miami...
Across the world right now are thousands of 17-year-old kids dreaming of making it big in the gold rush days of EDM, dance music's biggest...
Features
Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene
The Prodigy have defined a movement, a generation. Their new album is out today
“I think we should be a British institution. Everyone goes on about all of these other people from the '90s like Blur and Oasis, but...
For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...
Features
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Features
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional