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Ruf Dug in a green puffer jacket and sunglasses holding an apple in front of him, standing in front of a selection of artwork from his Selections

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Ruf Dug goes from peak time to downtime with house, dub, outsider pop, avant-jazz and more

Mondays have been a lot easier lately thanks to Manchester DJ Ruf Dug, whose award-winning weekly Soup To Nuts sessions on NTS have provided a...

Roland TB-303

Free samples of a truly classic bit of kit

While the Roland TR-808 may be the most iconic drum machine ever created, the TB-303 is perhaps the most instantly recognisable for that acid bassline...

Cover art of Drexciya's 'The Quest'

Released in 1997, Drexciya's double-vinyl compilation 'The Quest' marked the duo's breakthrough onto a larger public stage, as well as their first, temporary, retirement. With liner notes that sharpened their Afrofuturist mythology into focus , it is also the record that cemented many fans' sonic liaison with the Detroit duo, following a series of 12" releases that perfected their musical ideas. Here, Ben Cardew reflects on a record that most perfectly encapsulates the style, grace, and range of James Stinson and Gerald Donald's project

Detroit duo Drexciya were electronic music’s ultimate world builders and myth makers, a production unit whose exquisite musical control was tied to a profoundly moving...

Stones Taro standing in a black sweater in front of a wall

Kyoto’s Stones Taro sprints from acid-scorched techno and electro into sizzling breaks and garage for the Fresh Kicks series, and chats to Ben Murphy about his love of ‘90s UK dance music, his NC4K label with Lomax, and his local scene

The snapping snares and bass barrages of Stones Taro have become a ubiquitous presence in the sets of many DJs. Since 2017, this Kyoto-based DJ/producer...

Vonne Parks and Andre Dre Gainey of They Hate change side by side in a record store looking at the camera

Tampa duo They Hate Change made an international impact in 2022 with their album, ‘Finally, New’, showcasing an exhilarating mix of Floridian rap and breaks with flourishes of jungle, drum & bass and UK rave. They talk to Eoin Murray about the birth of the Gulf Coast sound, learning from the DIY scene, and joining a global community of artists pushing innovative genre fusions
 

It’s Halloween 2016 in Tampa, Florida, and Andre “Dre” Gainey and Vonne Parks are experiencing their eureka moment at a friend’s house party. The pair...

Miss Grit looking into the camera holding a collection of black cables

Get acquainted with Miss Grit, the producer and multi-instrumentalist whose debut LP explores themes of self-actualisation and identity with cyborgs

Margaret Sohn, the producer, multi-instrumentalist and vocalist who releases music as Miss Grit, grew up in the suburbs of Detroit, but attended college 500 miles...

Zoë Mc Pherson standing in front of the packshots of releases they chose in their Selections

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Zoë Mc Pherson spotlights sumptuous R&B and experimental hip-hop, footwork, deep house, d&b and more

Zoë Mc Pherson delights in the unpredictable. On their third album, ‘Pitch Blender’, the Berlin-based, French-Irish artist conjures beats that spark, swerve and explode like...

Scott Garcia 'A London Thing' artwork

UK garage pioneer Scott Garcia released ‘A London Thing’ in 1997 as a kind of signature track for the burgeoning scene. For this month's Game Changer, Rob McCallum speaks to the DJ/producer to learn the story of an enduring UKG anthem
 

When Scott Garcia's ‘A London Thing’ was released in November 1997, it shot an arrow through the heart of a generation of clubbers in the...

Map of Gauteng province in South Africa, with photos of interviewees inside, all on a yellow stylised backdrop

South Africa's love for house music flourished in the early ’90s as the Apartheid era ended, pushed primarily by DJs in and around Johannesburg and Pretoria. Now, it's a focal point, filled with local styles and stars. Martin Guttridge-Hewitt heads to Gauteng to learn the story of the scene’s origins, and the risks its pioneers took to pave the way for its thriving industry today

It’s sometime after 11pm on a warm December night when DJ Mag meets Vinny Da Vinci. An understated guy, this giant of South Africa’s club...

The Sound Of: The North Quarter

Launched in 2016, Amsterdam-based imprint The North Quarter has become a key platform for soulful drum & bass and beyond. Alongside a mix from its catalogue, founder Lenzman speaks to Ben Murphy about surprising listeners, originality, and the guiding principle of sharing the music he loves

“I feel like, with artists, if I discover someone new, the most important thing for me isn’t if they already have a fanbase or if...

DJ Mag’s rap artists to watch in 2023

Introducing the MCs, DJs and producers set to make an impact on the global rap scene in 2023. From voices that can move between dancehall and drill, and those challenging industry shortcomings, to a DJ mixing hip-hop and R&B with amapiano, and producers pushing localised hip-hop sounds into the future, these are the artists daring to be different and set to make the global rap scene theirs this year

One of the UK’s most promising and versatile MCs, Cristale has proven herself across dancehall, drill and jungle, spitting fire one minute before going deep...

Get To Know: Toumba

Get acquainted with Toumba, the Jordanian producer merging cutting-edge machine drums and heavy bass with the melodies and percussive rhythms of the Levant

From the kuduro of Angola to the cumbia of Colombia, the singeli of Tanzania to the mahraganat of Egypt, rhythms from across the world have...

Selections: Identified Patient

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Identified Patient dives into murky percussion, eerie acid breaks, dark psychedelic trance, and more

One of the first things you hear in ‘Elevator Music for Headbangers’, the inaugural EP from Identified Patient on his newly minted Nerve Collect label...

Orbital: on and on

Orbital’s 10th album, ‘Optical Delusion’, explores division, discontent and dislocation, but equally celebrates collective rave euphoria. Joe Roberts speaks to the Hartnoll brothers about writing the record in lockdown, the enduring live evolution of 'Chime', co-opting pop, and more

“When’s the zombie apocalypse coming?” jokes Paul Hartnoll, one half of Orbital, as we’re chatting over Zoom about the run of events leading up to...

WHIPPED CREAM

Ever since a sudden and unexpected change in career trajectory, Caroline Cecil’s full focus has been on music. That has paid off: While working as WHIPPED CREAM, she’s managed to climb to electronic music’s top rungs in just a few short years. With the release of the new ‘Someone You Can Count On’, along with a journey toward self-discovery, she’s entered what feels like a new phase in her life

Caroline Cecil tends to speak with a near stream-of-consciousness cascade of positivity. She buzzes with wonderment and joy, surprised at where her life has taken...

On Cue: R3LL

Part of Jersey club’s second wave, R3LL has taken the sound to the world’s biggest stages without losing touch with his roots. Alongside a blazing mix, he speaks to James Gui about Brick Bandits, bringing legends to play in LA, and pushing future stars of Jersey club at home and abroad

Terrell Griffith is all smiles. The second-generation Jersey club pioneer known as R3LL admits to squeezing in a game of NBA 2K to settle pre-Zoom...

Get To Know: AAA

Get acquainted with AAA, the East London selector and No Signal resident with a penchant for polished transitions and stunningly varied selections

The phrase ‘triple A’, long associated with ‘access all areas’, has taken on a different meaning, co-opted by an East Londoner with a penchant for...

Selections: Sicaria

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Sicaria spotlights system-shaking sub-bass and percussion from the wide 140 sphere

As one half of Sicaria Sound, Lou Nour’s specialisms in system-shaking sub-bass and rumbling rhythms around 140 BPM have been well-honed over the past six...

Kiss Nuka

After years spent as an established pop artist, Goa's Kiss Nuka devoted her life to underground electronic music, and has never looked back. She tells Tara Joshi about making music on her own terms, her commitment to activism, and celebrating feminine energy

When Kiss Nuka’s face appears on the screen of our video call, it is covered in tattoos. Not in a SoundCloud rapper way: these are...

Album of the Month: Kelela ‘Raven’

Flitting between the sweat of the dancefloor and the fog of the chillout room, Kelela’s latest album for Warp channels Drexciyan mythology and modern rave sonics into an aural manifesto of aquatic Afrofuturism

Six years after her monumental debut LP ‘Take Me Apart’, Kelela’s voice hits as it always does, in whispery, diaphanous textures that carry an impossible...