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DJ Mag delves into the history of dance culture’s Woodstock...

In 1992 there was a festival in the UK that changed the course of dance music history. A culmination of the acid house explosion, it...

The Prodigy’s fans — nicknamed the Ant Army — are some of the most dedicated for any band. Ahead of their new album, Prodigy expert...

Press shot of DJ Premier in a black hat looking toward the camera in a t tshirt that says "Royalty"

For over three decades, DJ Premier has consistently proven himself to be one of hip-hop’s greatest producers. As he releases his new EP, 'Hip Hop 50: Vol 1', celebrating the genre’s 50th anniversary, he speaks to Arielle Lana LeJarde about evolving with the culture and the hip-hop/dance music connection

“I’m raised off being a fan first,” DJ Premier states clearly. “Before DJing, before producing or anything else, I’m a fan.” He sits across from...

From the underground mixtape beatmakers, to those crossing over into the rap mainstream and drill scenes at home and abroad, Colin Gannon asks — who...

Like dance music, rap has a tendency to splinter into specialised subgenres. Back in 2012, Chicago producers Young Chop, DJ L and Smylez began warping...

Nearly a year into the COVID-19 pandemic, radio has become an integral part of daily life at home. It has allowed established DJs a new...

Start LocalThe best place for an aspiring host to start is on a local community radio station. Baile Beyai is one of the co-founders of...

Close up shot of Wreckno with fishnet gloves and colourful butterflies in their hair

Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars

What can’t Barbie do? Since hitting shelves in 1959, the polymer-based, pop culture icon has donned the uniforms of a pilot, astronaut, presidential candidate, and...

As healthier lifestyles have become more prevalent in the dance music industry, some have turned to the legal compound CBD for its benefits. But who uses it...

It’s Monday morning, and the painful cocktail of a weekend club life and weekday deadlines hits hard. Focus seems impossible and every platform is bleeping...

AVA Festival shot from above

Last month, 16,000 ravers attended Belfast's AVA Festival at its new home on the Titanic Slipways. DJ Mag traveled to AVA to discover how the event is creating a sense of unity, community and a second wave of rave in the city

In 2015, Belfast’s first AVA Festival and conference found its home beneath the towering yellow Harland & Wolff cranes — affectionately named Samson and Goliath...

Photo of Joseph Capriati with an orange beam of light across his eyes

Joseph Capriati is considered one of the world’s foremost techno technicians — but the veteran artist is much more than that, with the sounds of deep house, tech-house and more running through his sets and productions. With a newfound creative energy and sense of musical freedom, he’s as happy as he’s ever been — but if it wasn’t for a twist of fate, he wouldn’t have a career at all, as he explains in a wide-ranging conversation

Let’s jump into a time machine and travel back a decade or so, to a massive warehouse on the Brooklyn waterfront. You find yourself at...

The cover of beastie boys' 'Ill Communication' on a dark background, with a distorted yellow version of the cover marked into it

The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how

‘Ill Communication’ wasn’t the biggest Beastie Boys album; that medal goes to the multi-million selling ‘Licensed to Ill’. Nor was it the New York trio’s...

MS in a pool float

Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'

“I always describe myself as ‘Snow White turns 21 and then the seven dwarfs become her strippers’,” Moonchild Sanelly says matter-of-factly, when speaking to DJ...

We hook up with the Dutch teenage hotshot ahead of an appearance at Ultra in Miami...

Across the world right now are thousands of 17-year-old kids dreaming of making it big in the gold rush days of EDM, dance music's biggest...

The creepy synth sounds of horror movie soundtracks by Goblin, Fabio Frizzi and John Carpenter have proven hugely influential on modern electronic music. DJ Mag...

But whilst these cheap horror films with their copious sex and violence might not have brought about the nation’s moral decay, they have wormed their...

Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...

The low spring sun is struggling to make a difference as the staggered city peaks of Central London interrupt its pale light. We’re at 180...

Congo Natty

On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books

“This isn’t an interview, brother, this is an outerview!” Congo Natty declares. He draws on his spliff, holding DJ Mag’s gaze with intensity. Even through...