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Results for: Return To The Future

The radio show aired its last episode on New York's WNYU station back in March

Tim Sweeney has relaunched his long-running Beats In Space radio show on a new home, the Apple Music 1 station.

Having aired 1,000 broadcasts across...

Plastician by Brynley Davies

Upstart tech like blockchain has been dominating discourse around the music industry's next steps and has become one of the most divisive trends of the past 12 months. Declan McGlynn speaks to Plastician about why he believes it's the future for independent labels, promoters and artists 

Plastician is a name synonymous with grime, dubstep and bass pressure in all its forms. He built his sound and rep as a host on...

Influenced by hip-hop and halftime drum & bass, Ivy Lab and their label 20/20 LDN have a new vision for future beats. With their debut...

"I didn't really want to do it. Why on earth would I want to hook up with two kids?" laughs Gove Kidao. One half of...

For the first time ever, we meet the two Italians behind all those raw re-disco edits, loopy sampled cuts and technoid boogie bangers...

After going to ground and into their new studio, 'The Tiger's Lair', to record their fabulous second LP 'On The Green Again', Tiger & Woods...

The perfect setting for a tropical rave...?

Since opening 2 years ago, Laroc has become quickly become one of Brazil's best-kept secrets for open-air tropical clubbing.

An hour drive from Sao Paolo...

A domestic tourism push to help sectors accounting for one in five London jobs

Sadiq Khan has set out plans for a £6million campaign to help support live music, culture and hospitality in London this summer, among other sectors...

EBM is back, and in a big way. Below, the artists peddling the industrial dancefloor clatter on more discerning dancefloors choose their favourite tracks that...

EBM has been simmering on the underground in recent years, but is now back in full force as DJ and producers look to the roots...

Win tickets for Toolroom Knights at Ministry of Sound with an Italian twist

Fresh from tearing up Brixton Academy in October as part of Toolroom’s 5th Birthday celebrations, Mark Knight will return to the label’s spiritual home, Ministry...

Spanning 23 tracks

The next installment of 'fabric presents' will be mixed by The Martinez Brothers. 

The DC-10 regulars follow entries by Bonobo and Kölsch, with a...

Apollonia are the gods of groovy, stripped-back underground house music. The French trio — consisting of Dan Ghenacia, Shonky and Dyed Soundorom — have been...

It’s late May 2017 in Ibiza, and the end of a long week of opening parties on the island. Shortly after Apollonia close the terrace...

The Glasgow address has long-term plans to go carbon neutral 

A Scottish nightclub is trialling a new technology that harnesses the heat generated from those on the dancefloor to help power the venue, in turn...

Plus listen to his new tune 'Faded Denim Wash' 

Maybe it was having the twenty first century breathing down our collective neck, but late 1990s pop culture was awash in retro-futurism, particularly the kind...

Oh Annie Oh Don't Call Me Exotic podcast

The podcast returns for more discussion on creativity, careers, and racism 

DJ Oh Annie Oh's 'Don't Call Me "Exotic"' (DCME) is returning for a second season, with a number of high profile guests involved. The podcast...

Solid Gold - Chemical Brothers 'Come With Us'

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...

Three Ibiza flavoured albums to get you in the mood...

We Love… Mixed by Serge Santiago & Riton
(Ministry Of Sound)
Ibiza club albums don't often reflect their floor's true musical ideology so it's nice...