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Windrush ship

Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene

This feature was originally published in 2018, at the height of the Windrush scandal, and on the 70th anniversary of the Windrush ship's arrival in...

Alfresco Festival, AVA Festival & Conference, Wigflex City Festival... 

Panic on the streets, or mass protests with Massive Attack’s 3D, moors ablaze and a distressed David Attenborough. The less said about the world...

Detroit Swindle's live show has become renowned as one of the silkiest and funkiest electronic music live shows on the circuit. Growing from a simple...

Buzzin' hardcore classic 'Bus It' by Blapps Posse was a riotous, sampladelic mish-mash of hip-house and rave. DJ Mag talks to its key originators, Aston...

We returned to Iceland for the second Secret Solstice festival — and found they’ve upped the ante, big style...

“You have to have a proper rave once in a while,” says Biggi Viera of native act Gus Gus one bright, sunny night in Iceland...

DJ Mag's tunes of the year

2014 was the year house heads reignited their love for melody. While shufflers continued to go wild for garage, a new generation have reared their...

Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that

Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that, which is why he’s putting out an...

Croatia's original UK dance fest

With Croatia the choice destination for discerning dance heads looking for a holiday with decent music, we head to The Garden Festival, where it all started...

Double Trouble in Singapore

After 12 years of throwing outdoor beach parties, Singapore’s Zoukout switched from a one-day event to a two-day extravaganza. DJ Mag went along for the ride…

On their new album, ‘Honest Labour’, Berlin and Manchester-based duo Space Afrika sculpt an experimental electronic sound driven by a desire to break free of...

In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...

Record stores and clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our...

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019 

Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...

London underground sign that reads ‘what is the future of London clubbing?’

Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?

It’s an early August afternoon in Tottenham, North London. Nestled on an unassuming industrial estate on Markfield Road, beautiful floor-to-ceiling record shelving is being assembled...

As exam boards start to include DJing as part of their music GCSE, DJ Mag sent some legends of the artform back to school, and put...

Late for the school bus, boring assembly, double maths, a quick gossip or kickabout at lunch — followed by a music lesson playing banging techno...

Album covers from electronic music film soundtracks

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...