Listen to a lot of older techno today and it sounds rather restrained. Brilliant, yes, and futuristic too, yet largely soft and melodic compared to...
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Radiant Love resident and co-founder Byron Yeates records a mix of peak time rave euphoria for the Fresh Kicks series
We go behind the tech with the Irish techno titan...
With his early releases as part of the discernable MINUS crew, to his own label RUKUS, Matador has been a creative force in techno for...
Released on Tresor in 1992, Jeff Mills' debut LP ‘Waveform Transmission Vol. 1’ is a record that stands for repetition and filth, forged from wrought steel and imbued with scuffed-up funk. Here, 30 years after its release, Ben Cardew takes a deep dive into the sound, origins and legacy of an album that birthed a new breed of techno
BELLA debuts on Sally C’s Big Saldo’s Chunkers with a suite of pumping ’90s house with flourishes of acid, electro and prog
Erika de Casier establishes herself as a pop star in the making with a knack for club crossover tracks on her romantic, garage-influenced new album...
Sónar has always sought to support talent from its home country, and this year its programme highlighted the incredible creativity of Spain’s electronic music scene in...
Jamie's family shared the news in a social media statement earlier today (21st)
The parties not to miss at ADE 2014
Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
After the UK Government delayed the easing of lockdown earlier this month, many clubs were left in financial ruin. Even ahead of the new proposed...
Tokyo’s Yuto Takei finds meaning in ideas of space, time and distance in his otherworldly electronic EP for Belgium’s Maloca Records
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In our annual Best of British Awards, you voted GlobalGathering as your No.1 UK festival. And with line ups like this, it is not...
The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, NikNak spotlights ambient sound designs, jazz-infused hip-hop and high-def club experiments