In February 2020, Ploy shared a bill with Batu and Loraine James, celebrating five years of Batu’s label, Timedance. Playing the closing hours of the...
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Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test
In his new book, Lance Scott Walker tells the story of DJ Screw, the maestro of Houston’s chopped ‘n’ screwed ‘90s rap scene. Here, Marke Bieschke speaks to the author about this unique moment in hip-hop history, and Screw's incredible legacy
Since beatboxing first arrived on British shores from the US in the ’80s, the passion and innovation of UK acts have taken the art to unimaginable heights. Jak Hutchcraft charts the development of the scene, speaking to boundary breakers and educators, and finds it in ruder health than ever
DJ Mag heads to Belfast to take a tour around the hometown of rising DJ/producer Richie Blacker, whose music has appeared on labels like Skream's Of Unsound Mind and Anjunadeep
Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far
In this month's label focus, The Sound Of, Ben Murphy catches up with Peter Adarkwah, founder of BBE Music, a longstanding haven for hidden gems...
Nookie’s ‘Gonna Be Alright’ dropped as hardcore was morphing into jungle at the beginning of the 1990s. It lit up the raves and set Nookie up for a production career with Reinforced, Metalheadz, Moving Shadow and other key labels as the decade unfolded. Ben Murphy learns its story and speaks to Nookie about how, as the ‘20s roar into action, he is charged up all over again
We catch up with Bassnectar to discuss his new album 'Noise Vs Beauty'
Lorin Ashton grew up in a commune in the San Francisco Bay Area, and the first art he created was mini-movies on his dad's cine-camera...
<p>On the eve of the release of his new, 10th album, we get the lowdown...</p>
Lorin Ashton grew up in a commune in the San Francisco Bay Area, and the first art he created was mini-movies on his dad's cine-camera...
Bass icon plays ten inspiring records
Drew Lustman, aka FaltyDL, grew up in Connecticut and after flunking out of college by doing too many drugs, was lucky enough to have his early music signed by Mike Paradinas, aka µ-Ziq, for Planet Mu Records in the UK. He moved to New York and began making mutated garage-influenced stuff, bringing in grime, dubstep, house and broken beat influences into his sound as it progressed and he became a favourite of the blogosphere and won supporters such as Thom Yorke from Radiohead and Flying Lotus.
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
If anyone is dance music's renaissance man, it's Detroit's Seth Troxler. There's a lot more to Seth than his hedonistic image might suggest, as DJ...
Still bleary-eyed after a night DJing to hundreds who braved freezing January weather to hear him spin on a Wednesday evening in Bristol, Seth Troxler...
Danny Daze Take 10...
Hailing from Miami, Danny Daze was schooled on Miami bass before discovering Italo disco and Detroit techno. He's now one of the most diverse jocks...
We chat to infamous breakbeat duo Stanton Warriors about their seminal mix/comp, 'Stanton Sessions Vol 1'
Mark Yardley and Dominic Butler, aka the Stanton Warriors, met at the Fifty First State garage label/studio complex in London in the mid-1990s, although they...