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Results for: Art With Me

The latest and greatest DJs and producers rising to top this month. From new wave drum & bass, breaks and techno to experimental pop and...

Missouri-based Duncan Winslow is a busy man; not only a musician, he runs a production YouTube channel and is a middle school orchestra teacher. He...

Album covers from electronic music film soundtracks

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...

California's rave history is rooted in outdoor free parties that celebrated psychedelic music and and unique environments. DJ Mag's Matt Anniss speaks to the Bay...

Every summer since 2005, Claude VonStroke’s DirtyBird crew has hosted a “BBQ” party in one of San Francisco’s many harbour–side parks. They’re not alone, either...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

The Euphoria cover logo in green neon on a black background with green lasers

With the release of its first edition – 'For The Mind, Body and Soul' – via Telstar Records in early 1999, the ‘Euphoria’ mix compilation series quickly became one of the most popular and prolific of its kind, launching the big-room oriented trance, progressive and hard house sounds of clubland into the CD drives of thousands. 25 years later, Harold Heath looks back on its legacy, and on how its balance of clever commercial marketing and authentic live energy enshrined ‘Euphoria’ in UK dance music history

It’s 1999, and across the UK, countless car stereos and home systems are pumping out the planet-sized synth riffs of big-room trance. Tracks by Paul...

Drumz Of The South: these photos document dubstep's early years

A new photography book, Drumz Of The South: The Dubstep Years 2004-2007 captures the early years of dubstep, depicting an important cultural moment in UK musical history. Charlie Bird talks to photographer Georgina Cook about the invention and excitement of the time, the influence of South London, and how that moment is influencing a new generation

Last year, in the run up to celebrating her 40th birthday, Georgina Cook reflected on Drumz Of The South; her project documenting South London’s music...

Inside the UK Afro house renaissance

The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity

Afro house is steeped in the percussive materials of South Africa’s townships. For decades, its polyrhythms played out on traditional African instruments — bongos, congas...

Soul II Soul

Soul II Soul helped give Black British music and UK club sounds a truly unique identity. Collective founder Jazzie B talks about their ground-breaking debut, ‘Fairplay’, and traces his journey from London soundsystem culture to global star with Ben Osborne

When, after a series of near misses, Jazzie B and DJ Mag finally connect, Jazzie’s in a taxi heading for a video shoot. “I’m not...

LTJ Bukem

Mixing elements of jazz and ambient with drum & bass, LTJ Bukem’s now-classic 1996 release via Good Looking Records was a statement of intent, and remains one of the genre's most fulfilling and impactful releases to this day 

For many music fans in the 1990s, their immersion into jungle and drum & bass started not with Goldie’s celebrated ‘Timeless’ or Roni Size /...

Dapz by Andy Lowe

After well over a decade in the game, Birmingham rapper Dapz on the Map drops his debut album ‘Landed’ in October. He speaks to DJ Mag about how grime has matured and embracing the emotional vulnerability of his lyrics

“That’s why you’re a spitter and I’m an artist,” Birmingham’s Dapz on the Map declared on his chest-puffing SBTV debut way back in 2009, shelling...

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019 

Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...

The latest and greatest DJs and producers rising to the top this month. From bass-powered techno, breaks and electro to digicore and synth-scored house, here's...

Recording a handful of live-streamed sets — including appearances on Beatport Selects and HÖR Radio — AUCO brought the flavours of UK jungle, footwork, dubstep...

NQ x Abbey Road Studios

Through its nurturing of new superstars like Aitch and other young local talent, Manchester’s NQ has become a veritable institution of modern UK rap, helping elevate regional artists across the UK. James Keith meets members of the crew during a recent takeover at the legendary Abbey Road Studios, and heads to NQ’s northern base to discover the secret to its success

NQ is reshaping Manchester’s musical identity one mega-hit at a time. An entertainment company consisting of a record label, management and publishing house based in...

Photo of RIOT CODE wearing a blank tank top in a dark room, with a large beam of light shining around him from the back

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...

Vintage '90s images taken from old free party events

In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene

Much has been written and debated over the years about just why the concept of a ‘free’ party was so important. Much more than simply...