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The raucous rhythms of Jersey club have been everywhere lately, and UNIIQU3, aka the Jersey Club Queen, is one of the main reasons why. Bruce...

The voice on the other end of the phone is murmuring gentle orders: “Black, please. Middle strip rainbow. Yeah, like that.” A few seconds pass...

Durban’s DJ Lag is a pioneer of the world-conquering South African dance music genre, gqom. He’s toured the world and worked with superstars, but he’s...

In 2017, during his 21st rotation around the sun, DJ Lag was experiencing a moment that every artist dreams of but few ever reach. Gqom...

Photo of a ravers at a free party in a tunnel

Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning

The quest is timeless. Swapping clues with randoms at services. The heartless pulse of the party-line’s engaged tone. The convoys, intrigue, suspense, rumours. The commitment...

London underground sign that reads ‘what is the future of London clubbing?’

Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?

It’s an early August afternoon in Tottenham, North London. Nestled on an unassuming industrial estate on Markfield Road, beautiful floor-to-ceiling record shelving is being assembled...

Kerri Chandler DJing live

For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet

“Sorry, it’s a little dark in here. I usually have club lighting on down here, like with rotating heads and stuff,” Kerri Chandler says, with...

How the global boom of African music is resonating with electronic artists in the diaspora

It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?

In the early 2000s, there was a small, unassuming stall on the second floor balcony of Kampala’s Bugolobi market. Stocked with computers, scanners and other...

We talk to three DJs who have subsequently become mental health & wellbeing practitioners in their own individual ways

MATT CANTORMatt Cantor formed The Freestyler with Aston Harvey in the mid-‘90s, and soon had a Top 40 hit with ‘B-Boy Stance’ featuring the late...

As exam boards start to include DJing as part of their music GCSE, DJ Mag sent some legends of the artform back to school, and put...

Late for the school bus, boring assembly, double maths, a quick gossip or kickabout at lunch — followed by a music lesson playing banging techno...

The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...

Nilaari (meaning self-worth or value) is a Black, Asian and Minority Ethnic (BAME) community-based charity, delivering culturally appropriate counselling, social care support, advice and advocacy...

TOKiMONSTA is the rare kind of artist who transcends genre — a producer who has worked with everyone from Flying Lotus to Skrillex and Anderson...

Jennifer Lee climbs up a set of stairs at Mack Sennett Studios in between a number of elaborate costume changes, during an all-day photo shoot...

Tackling extraordinary challenges and pitfalls in his life, Detroit’s Robert Hood is a passionate advocate for the transformative power of electronic music. An ordained Christian minister, we meet him in Berlin after...

In the early hours of the morning on November 10, 1938, anti-Semitic rioting raged across Nazi Germany, in a pogrom that saw more than 100 Jews killed and 267...

Sexual harassment is a widespread problem that remains prevalent in our supposedly progressive dance music scene. A number of new initiatives have proposed a solution...

In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...

Todd Edwards is a house and garage veteran whose signature productions have lit up dancefloors for decades, and whose collaborations with Daft Punk sit in...

Every genre has a resident ‘“nice guy”, but it’s doubtful that they come nicer than Todd Edwards.Todd has been an effervescent presence in dance music...

Jamie Jones

After eight seasons at DC-10 in Ibiza and two lost to the pandemic, Jamie Jones makes his grand return to Ibiza this summer, and is moving his flagship party, Paradise, to Amnesia Ibiza. For his DJ Mag cover feature, Anna Wall speaks to the Hot Creations boss about coming up in the East London after-hours scene, mentorship, and becoming a dad

It was a humid summer night in June on the white isle back in 2005. Jamie Jones had just returned from Barcelona’s annual Sonar festival...

Salute looking straight at the camera. They are wearing a multi-coloured fluffy sweater and leaning with their hands placed on a pool table

Vienna-born, Manchester-based salute’s DJ sets and productions shine at the intersection of garage, French house and ‘80s synth styles. Ahead of the release of their star-studded debut album on Ninja Tune, they tell Kamila Rymajdo about their musical upbringing, flying the flag for Black artistry, and their joyful sound that, simply, makes people feel good

salute is thinking about their legacy. “I want to make music not just for the sake of making music, I want to do it because...